uncle," said the
painter gayly; "but better late than never."
"You are very
welcome, my friend," said the old man, looking at his
nephew in a dull way.
"Madame," Joseph said to Flore with an artist's vivacity, "this
morning I was envying my uncle the pleasure he enjoys in being able to
admire you every day."
"Isn't she beautiful?" said the old man, whose dim eyes began to
shine.
"Beautiful enough to be the model of a great
painter."
"Nephew," said Rouget, whose elbow Flore was nudging, "this is
Monsieur Maxence Gilet; a man who served the Emperor, like your
brother, in the Imperial Guard."
Joseph rose, and bowed.
"Your brother was in the dragoons, I believe," said Maxence. "I was
only a dust-trotter."
"On foot or on
horseback," said Flore, "you both of you risked your
skins."
Joseph took note of Max quite as much as Max took note of Joseph. Max,
who got his clothes from Paris, was dressed as the young dandies of
that day dressed themselves. A pair of light-blue cloth
trousers, made
with very full plaits, covered his feet so that only the toes and the
spurs of his boots were seen. His waist was pinched in by a white
waistcoat with chased gold buttons, which was laced behind to serve as
a belt. The
waistcoat, buttoned to the
throat, showed off his broad
chest, and a black satin stock obliged him to hold his head high, in
soldierly fashion. A handsome gold chain hung from a
waistcoat pocket,
in which the
outline of a flat watch was
barely seen. He was twisting
a watch-key of the kind called a "criquet," which Breguet had lately
invented.
"The fellow is fine-looking," thought Joseph, admiring with a
painter's eye the eager face, the air of strength, and the
intellectual gray eyes which Max had
inherited from his father, the
noble. "My uncle must be a
fearful bore, and that handsome girl takes
her compensations. It is a
triangular household; I see that."
At this
instant, Baruch and Francois entered.
"Have you been to see the tower of Issoudun?" Flore asked Joseph. "No?
then if you would like to take a little walk before dinner, which will
not be served for an hour, we will show you the great
curiosity of the
town."
"Gladly," said the artist, quite in
capable of
seeing the slightest
impropriety in so doing.
While Flore went to put on her
bonnet, gloves, and cashmere shawl,
Joseph suddenly jumped up, as if an enchanter had touched him with his
wand, to look at the pictures.
"Ah! you have pictures, indeed, uncle!" he said, examining the one
that had caught his eye.
"Yes," answered the old man. "They came to us from the Descoings, who
bought them during the Revolution, when the convents and churches in
Berry were dismantled."
Joseph was not listening; he was lost in
admiration of the pictures.
"Magnificent!" he cried. "Oh! what painting! that fellow didn't spoil
his
canvas. Dear, dear! better and better, as it is at Nicolet's--"
"There are seven or eight very large ones up in the
garret, which were
kept on
account of the frames," said Gilet.
"Let me see them!" cried the artist; and Max took him upstairs.
Joseph came down wildly
enthusiastic. Max whispered a word to the
Rabouilleuse, who took the old man into the embrasure of a window,
where Joseph heard her say in a low voice, but still so that he could
hear the words:--
"Your
nephew is a
painter; you don't care for those pictures; be kind,
and give them to him."
"It seems," said Jean-Jacques, leaning on Flore's arm to reach the
place were Joseph was
standing in
ecstasy before an Albano, "--it seems
that you are a
painter--"
"Only a 'rapin,'" said Joseph.
"What may that be?" asked Flore.
"A beginner," replied Joseph.
"Well," continued Jean-Jacques, "if these pictures can be of any use
to you in your business, I give them to you,--but without the frames.
Oh! the frames are gilt, and besides, they are very funny; I will
put--"
"Well done, uncle!" cried Joseph, enchanted; "I'll make you copies of
the same dimensions, which you can put into the frames."
"But that will take your time, and you will want
canvas and colors,"