he
related, without further
hesitation, what his own experience
had been, and what the experience of his
relatives had been,
in the
haunted hotel. He even described the
outbreak of superstitious
terror which had escaped Mrs. Norbury's
ignorant maid.
'Sad stuff, if you look at it reasonably,' he remarked.
'But there is something
dramatic in the notion of the
ghostly influence
making itself felt by the relations in
succession, as they one after
another enter the fatal room--until the one chosen
relative comes
who will see the Unearthly Creature, and know the terrible truth.
Material for a play, Countess--first-rate material for a play!'
There he paused. She neither moved nor spoke. He stooped and looked
closer at her.
What
impression had he produced? It was an
impression which his
utmost
ingenuity had failed to
anticipate. She stood by his side--
just as she had stood before Agnes when her question about Ferrari
was
plainly answered at last--like a woman turned to stone.
Her eyes were
vacant and rigid; all the life in her face had faded
out of it. Francis took her by the hand. Her hand was as cold
as the
pavement that they were
standing on. He asked her if she
was ill.
Not a
muscle in her moved. He might as well have
spoken to the dead.
'Surely,' he said, 'you are not foolish enough to take what I
have been telling you seriously?'
Her lips moved slowly. As it seemed, she was making an effort
to speak to him.
'Louder,' he said. 'I can't hear you.'
She struggled to recover possession of herself. A faint light began
to
soften the dull cold stare of her eyes. In a moment more she
spoke so that he could hear her.
'I never thought of the other world,' she murmured, in low dull tones,
like a woman talking in her sleep.
Her mind had gone back to the day of her last
memorable interview
with Agnes; she was slowly recalling the
confession that had escaped her,
the
warning words which she had
spoken at that past time.
Necessarily
incapable of under
standing this, Francis looked
at her in
perplexity. She went on in the same dull
vacant tone,
steadily following out her own train of thought, with her heedless
eyes on his face, and her wandering mind far away from him.
'I said some
trifling event would bring us together the next time.
I was wrong. No
trifling event will bring us together.
I said I might be the person who told her what had become of Ferrari,
if she forced me to it. Shall I feel some other influence than hers?
Will he force me to it? When she sees him, shall I see
him too?'
Her head sank a little; her heavy eyelids dropped slowly;
she heaved a long low weary sigh. Francis put her arm in his,
and made an attempt to rouse her.
'Come, Countess, you are weary and over-wrought. We have had
enough talking to-night. Let me see you safe back to your hotel.
Is it far from here?'
She started when he moved, and obliged her to move with him,
as if he had suddenly awakened her out of a deep sleep.
'Not far,' she said
faintly. 'The old hotel on the quay.
My mind's in a strange state; I have forgotten the name.'
'Danieli's?'
'Yes!'
He led her on slowly. She accompanied him in silence as far
as the end of the Piazzetta. There, when the full view of
the
moonlit Lagoon revealed itself, she stopped him as he turned
towards the Riva degli Schiavoni. 'I have something to ask you.
I want to wait and think.'
She recovered her lost idea, after a long pause.
'Are you going to sleep in the room to-night?' she asked.
He told her that another traveller was in possession of the room
that night. 'But the
manager has reserved it for me to-morrow,'
he added, 'if I wish to have it.'
'No,' she said. 'You must give it up.'
'To whom?'
'To me!'
He started. 'After what I have told you, do you really wish