truck ready in the
studio. I'll go.'
About twenty minutes after two, on this eventful day, the vast
and
gloomy shed of Waterloo lay, like the
temple of a dead
religion, silent and deserted. Here and there at one of the
platforms, a train lay becalmed; here and there a wandering
footfall echoed; the cab-horses outside stamped with startling
reverberations on the stones; or from the neighbouring wilderness
of railway an engine snorted forth a
whistle. The main-line
departureplatform slumbered like the rest; the booking-hutches
closed; the backs of Mr Haggard's novels, with which upon a
weekday the bookstall shines emblazoned, discreetly
hidden behind
dingy shutters; the rare officials, un
disguisedly somnambulant;
and the
customary loiterers, even to the
middle-aged woman with
the ulster and the handbag, fled to more
congenial scenes. As in
the inmost dells of some small
tropic island the throbbing of the
ocean lingers, so here a faint pervading hum and trepidation told
in every corner of
surrounding London.
At the hour already named, persons acquainted with John Dickson,
of Ballarat, and Ezra Thomas, of the United States of America,
would have been cheered to behold them enter through the
booking-office.
'What names are we to take?' enquired the latter, anxiously
adjusting the window-glass spectacles which he had been suffered
on this occasion to assume.
'There's no choice for you, my boy,' returned Michael. 'Bent
Pitman or nothing. As for me, I think I look as if I might be
called Appleby; something agreeably old-world about
Appleby--breathes of Devonshire cider. Talking of which, suppose
you wet your
whistle? the
interview is likely to be trying.'
'I think I'll wait till afterwards,' returned Pitman; 'on the
whole, I think I'll wait till the thing's over. I don't know if
it strikes you as it does me; but the place seems deserted and
silent, Mr Finsbury, and filled with very
singular echoes.'
'Kind of Jack-in-the-box feeling?' enquired Michael, 'as if all
these empty trains might be filled with policemen
waiting for a
signal? and Sir Charles Warren perched among the girders with a
silver
whistle to his lips? It's guilt, Pitman.'
In this
uneasy frame of mind they walked nearly the whole length
of the
departureplatform, and at the
westernextremity became
aware of a
slender figure
standing back against a
pillar. The
figure was
plainly sunk into a deep abstraction; he was not aware
of their approach, but gazed far
abroad over the sunlit station.
Michael stopped.
'Holloa!' said he, 'can that be your advertiser? If so, I'm done
with it.' And then, on second thoughts: 'Not so, either,' he
resumed more
cheerfully. 'Here, turn your back a moment. So. Give
me the specs.'
'But you agreed I was to have them,' protested Pitman.
'Ah, but that man knows me,' said Michael.
'Does he? what's his name?' cried Pitman.
'O, he took me into his confidence,' returned the
lawyer. 'But I
may say one thing: if he's your advertiser (and he may be, for he
seems to have been seized with
criminal lunacy) you can go ahead
with a clear
conscience, for I hold him in the hollow of my
hand.'
The change effected, and Pitman comforted with this good news,
the pair drew near to Morris.
'Are you looking for Mr William Bent Pitman?' enquired the
drawing-master. 'I am he.'
Morris raised his head. He saw before him, in the
speaker, a
person of almost
indescribable insignificance, in white spats and
a shirt cut indecently low. A little behind, a second and more
burly figure offered little to
criticism, except ulster,
whiskers, spectacles, and deerstalker hat. Since he had decided
to call up devils from the
underworld of London, Morris had
pondered deeply on the probabilities of their appearance. His
first
emotion, like that of Charoba when she
beheld the sea, was
one of
disappointment; his second did more justice to the case.
Never before had he seen a couple dressed like these; he had
struck a new stratum.
'I must speak with you alone,' said he.
'You need not mind Mr Appleby,' returned Pitman. 'He knows all.'
'All? Do you know what I am here to speak of?' enquired Morris--.
'The
barrel.'