'The Soldier's Funeral,' in the declamation of which I was held to
have surpassed myself. 'Robert's voice,' said the master on this
memorable occasion, 'is not strong, but impressive': an opinion
which I was fool enough to carry home to my father; who roasted me
for years in
consequence. I am sure one should not be so deliciously
tickled by the
humorous pieces:-
'What, crusty? cries Will in a
taking,
Who would not be crusty with half a year's baking?'
I think this quip would leave us cold. The 'Isles of Greece' seem
rather tawdry too; but on the 'Address to the Ocean,' or on 'The
Dying Gladiator,' 'time has writ no wrinkle.'
'Tis the morn, but dim and dark,
Whither flies the silent lark?' -
does the reader recall the moment when his eye first fell upon these
lines in the Fourth Reader; and 'surprised with joy,
impatient as the
wind,' he plunged into the sequel? And there was another piece, this
time in prose, which none can have forgotten; many like me must have
searched Dickens with zeal to find it again, and in its proper
context, and have perhaps been
conscious of some inconsiderable
measure of
disappointment, that it was only Tom Pinch who drove, in
such a pomp of
poetry, to London.
But in the Reader we are still under guides. What a boy turns out
for himself, as he rummages the book
shelves, is the real test and
pleasure. My father's library was a spot of some austerity; the
proceedings of
learned societies, some Latin
divinity, cyclopaedias,
physical science, and, above all, optics, held the chief place upon
the
shelves, and it was only in holes and corners that anything
really legible existed as by accident. The PARENT'S ASSISTANT, ROB
ROY, WAVERLEY, and GUY MANNERING, the VOYAGES OF CAPTAIN WOODS
ROGERS, Fuller's and Bunyan's HOLY WARS, THE REFLECTIONS OF ROBINSON
CRUSOE, THE FEMALE BLUEBEARD, G. Sand's MARE AU DIABLE - (how came it
in that grave assembly!), Ainsworth's TOWER OF LONDON, and four old
volumes of Punch - these were the chief exceptions. In these latter,
which made for years the chief of my diet, I very early fell in love
(almost as soon as I could spell) with the Snob Papers. I knew them
almost by heart, particularly the visit to the Pontos; and I remember
my surprise when I found, long afterwards, that they were famous, and
signed with a famous name; to me, as I read and admired them, they
were the works of Mr. Punch. Time and again I tried to read ROB ROY,
with whom of course I was acquainted from the TALES OF A GRANDFATHER;
time and again the early part, with Rashleigh and (think of it!) the
adorable Diana, choked me off; and I shall never forget the pleasure
and surprise with which, lying on the floor one summer evening, I
struck of a sudden into the first scene with Andrew Fairservice.
'The
worthy Dr. Lightfoot' - 'mistrysted with a bogle' - 'a wheen
green trash' - 'Jenny, lass, I think I ha'e her': from that day to
this the phrases have been unforgotten. I read on, I need
scarcesay; I came to Glasgow, I bided tryst on Glasgow Bridge, I met Rob
Roy and the Bailie in the Tolbooth, all with transporting pleasure;
and then the clouds gathered once more about my path; and I dozed and
skipped until I stumbled half-asleep into the clachan of Aberfoyle,
and the voices of Iverach and Galbraith recalled me to myself. With
that scene and the defeat of Captain Thornton the book concluded;
Helen and her sons shocked even the little schoolboy of nine or ten
with their unreality; I read no more, or I did not grasp what I was
reading; and years elapsed before I
consciously met Diana and her
father among the hills, or saw Rashleigh dying in the chair. When I
think of that novel and that evening, I am
impatient with all others;
they seem but shadows and impostors; they cannot satisfy the appetite
which this awakened; and I dare be known to think it the best of Sir
Walter's by nearly as much as Sir Walter is the best of novelists.
Perhaps Mr. Lang is right, and our first friends in the land of
fiction are always the most real. And yet I had read before this GUY
MANNERING, and some of WAVERLEY, with no such
delighted sense of
truth and
humour, and I read immediately after the greater part of
the Waverley Novels, and was never moved again in the same way or to
the same degree. One circumstance is
suspicious: my critical
estimate of the Waverley Novels has
scarce changed at all since I was
ten. ROB ROY, GUY MANNERING, and REDGAUNTLET first; then, a little
lower; THE FORTUNES OF NIGEL; then, after a huge gulf, IVANHOE and
ANNE OF GEIERSTEIN: the rest
nowhere; such was the
verdict of the
boy. Since then THE ANTIQUARY, ST. RONAN'S WELL, KENILWORTH, and THE