to look grave. "At least--you didn't say it--you shouted it!"
"I'm very sorry," was all I could say, feeling very
penitent and
helpless. "She has Sylvie's eyes!" I thought to myself, half-doubting
whether, even now, I were fairly awake. "And that sweet look of
innocent wonder is all Sylvie's too. But Sylvie hasn't got that calm
resolute mouth nor that far-away look of
dreamysadness, like one that
has had some deep sorrow, very long ago--" And the thick-coming
fancies almost prevented my
hearing the lady's next words.
"If you had had a 'Shilling Dreadful' in your hand," she proceeded,
"something about Ghosts or Dynamite or Midnight Murder--one could
understand it: those things aren't worth the
shilling, unless they give
one a Nightmare. But really--with only a
medical treatise,
you know--" and she glanced, with a pretty shrug of contempt,
at the book over which I had fallen asleep.
Her
friendliness, and utter unreserve, took me aback for a moment;
yet there was no touch of forwardness, or
boldness, about the child for
child, almost, she seemed to be: I guessed her at scarcely over
twenty--all was the
innocentfrankness of some
angelic visitant,
new to the ways of earth and the conventionalisms or, if you will,
the barbarisms--of Society. "Even so," I mused, "will Sylvie look and
speak, in another ten years."
"You don't care for Ghosts, then," I ventured to suggest, unless they
are really terrifying?"
"Quite so," the lady assented. "The regular Railway-Ghosts--I mean
the Ghosts of ordinary Railway-literature--are very poor affairs.
I feel inclined to say, with Alexander Selkirk, 'Their tameness is
shocking to me'! And they never do any Midnight Murders.
They couldn't 'welter in gore,' to save their lives!"
"'Weltering in gore' is a very
expressivephrase, certainly.
Can it be done in any fluid, I wonder?"
"I think not," the lady
readily replied--quite as if she had thought
it out, long ago. "It has to be something thick. For
instance, you
might welter in bread-sauce. That, being white, would be more suitable
for a Ghost, supposing it wished to welter!"
"You have a real good terrifying Ghost in that book?" I hinted.
"How could you guess?" she exclaimed with the most engaging
frankness,
and placed the
volume in my hands. I opened it
eagerly, with a not
unpleasant
thrill like what a good ghost-story gives one) at the
'uncanny'
coincidence of my having so
unexpectedly divined the subject
of her studies.
It was a book of Domestic Cookery, open at the article Bread Sauce.'
I returned the book, looking, I suppose, a little blank, as the lady
laughed
merrily at my discomfiture. "It's far more exciting than some
of the modern ghosts, I assure you! Now there was a Ghost last
month--I don't mean a real Ghost in in Supernature--but in a
Magazine. It was a
perfectly flavourless Ghost. It wouldn't have
frightened a mouse! It wasn't a Ghost that one would even offer a chair
to!"
"Three score years and ten, baldness, and spectacles, have their
advantages after all!", I said to myself. "Instead of a
bashful youth
and
maiden, gasping out monosyllables at awful intervals, here we have
an old man and a child, quite at their ease, talking as if they had
known each other for years! Then you think," I continued aloud,
"that we ought sometimes to ask a Ghost to sit down? But have we any
authority for it? In Shakespeare, for
instance--there are plenty of
ghosts there--does Shakespeare ever give the stage-direction 'hands
chair to Ghost'?"
The lady looked puzzled and
thoughtful for a moment: then she almost
clapped her hands. "Yes, yes, he does!" she cried.
"He makes Hamlet say 'Rest, rest, perturbed Spirit!"'
"And that, I suppose, means an easy-chair?"
"An American rocking-chair, I think--"
"Fayfield Junction, my Lady, change for Elveston!" the guard announced,
flinging open the door of the
carriage: and we soon found ourselves,
with all our
portable property around us, on the platform.
The
accommodation, provided for passengers
waiting at this Junction,
was
distinctly inadequate--a single
wooden bench,
apparently intended
for three sitters only: and even this was already
partially occupied by
a very old man, in a smock frock, who sat, with rounded shoulders and
drooping head, and with hands clasped on the top of his stick so as to
make a sort of pillow for that wrinkled face with its look of patient