clink of the pawls, make a
stirringaccompaniment to a plaintive
up-
anchor song with a roaring
chorus; and this burst of noisy
activity from a whole ship's crew seems like a voiceful awakening
of the ship herself, till then, in the
picturesquephrase of Dutch
seamen, "lying asleep upon her iron."
For a ship with her sails furled on her squared yards, and
reflected from truck to water-line in the smooth gleaming sheet of
a landlocked harbour, seems, indeed, to a
seaman's eye the most
perfect picture of slumbering
repose. The getting of your
anchorwas a noisy operation on board a merchant ship of
yesterday - an
inspiring,
joyous noise, as if, with the
emblem of hope, the ship's
company expected to drag up out of the depths, each man all his
personal hopes into the reach of a securing hand - the hope of
home, the hope of rest, of liberty, of dissipation, of hard
pleasure, following the hard
endurance of many days between sky and
water. And this noisiness, this
exultation at the moment of the
ship's
departure, make a
tremendouscontrast to the silent moments
of her
arrival in a foreign roadstead - the silent moments when,
stripped of her sails, she forges ahead to her chosen berth, the
loose
canvas fluttering
softly in the gear above the heads of the
men
standing still upon her decks, the master gazing intently
forward from the break of the poop. Gradually she loses her way,
hardly moving, with the three figures on her forecastle waiting
attentively about the cat-head for the last order of, perhaps, full
ninety days at sea: "Let go!"
This is the final word of a ship's ended journey, the closing word
of her toil and of her
achievement. In a life whose worth is told
out in passages from port to port, the
splash of the
anchor's fall
and the thunderous rumbling of the chain are like the closing of a
distinct period, of which she seems
conscious with a slight deep
shudder of all her frame. By so much is she nearer to her
appointed death, for neither years nor voyages can go on for ever.
It is to her like the
striking of a clock, and in the pause which
follows she seems to take count of the passing time.
This is the last important order; the others are mere
routinedirections. Once more the master is heard: "Give her forty-five
fathom to the water's edge," and then he, too, is done for a time.
For days he leaves all the harbour work to his chief mate, the
keeper of the ship's
anchor and of the ship's
routine. For days
his voice will not be heard raised about the decks, with that curt,
austere
accent of the man in
charge, till, again, when the hatches
are on, and in a silent and
expectant ship, he shall speak up from
aft in commanding tones: "Man the windlass!"
VII.
The other year, looking through a newspaper of sound principles,
but whose staff WILL
persist in "casting"
anchors and going to sea
"on" a ship (ough!), I came across an article upon the season's
yachting. And, behold! it was a good article. To a man who had
but little to do with pleasure sailing (though all sailing is a
pleasure), and certainly nothing
whatever with racing in open
waters, the
writer's strictures upon the handicapping of yachts
were just intelligible and no more. And I do not
pretend to any
interest in the enumeration of the great races of that year. As to
the 52-foot linear raters, praised so much by the
writer, I am
warmed up by his
approval of their performances; but, as far as any
clear
conception goes, the descriptive
phrase, so
precise to the
comprehension of a yachtsman, evokes no
definite image in my mind.
The
writer praises that class of pleasure vessels, and I am willing
to
endorse his words, as any man who loves every craft
afloat would
be ready to do. I am disposed to admire and respect the 52-foot
linear raters on the word of a man who regrets in such a
sympathetic and under
standing spirit the threatened decay of
yachting
seamanship.
Of course, yacht racing is an organized pastime, a
function of
social
idleness ministering to the
vanity of certain
wealthy