other day in Regent Street. I agreed with him as to the utter
impossibility of making it elevenpence ha'penny; but at the same time
I
resolved to one day decoy him to an eating-house I remembered near
Covent Garden, where the
waiter, for the better
discharge of his
duties, goes about in his shirt-sleeves--and very dirty sleeves they
are, too, when it gets near the end of the month. I know that
waiter.
If my friend gives him anything beyond a penny, the man will insist on
shaking hands with him then and there as a mark of his
esteem; of that
I feel sure.
There have been a good many funny things said and written about
hardupishness, but the
reality is not funny, for all that. It is not
funny to have to haggle over pennies. It isn't funny to be thought
mean and stingy. It isn't funny to be
shabby and to be
ashamed of
your address. No, there is nothing at all funny in
poverty--to the
poor. It is hell upon earth to a
sensitive man; and many a brave
gentleman who would have faced the labors of Hercules has had his
heart broken by its petty mi
series.
It is not the
actual discomforts themselves that are hard to bear.
Who would mind roughing it a bit if that were all it meant? What
cared Robinson Crusoe for a patch on his
trousers? Did he wear
trousers? I forget; or did he go about as he does in the pantomimes?
What did it matter to him if his toes did stick out of his boots? and
what if his
umbrella was a cotton one, so long as it kept the rain
off? His shabbiness did not trouble him; there was none of his
friends round about to sneer him.
Being poor is a mere
trifle. It is being known to be poor that is the
sting. It is not cold that makes a man without a great-coat hurry
along so quickly. It is not all shame at telling lies--which he knows
will not be believed--that makes him turn so red when he informs you
that he considers great-coats unhealthy and never carries an
umbrellaon principle. It is easy enough to say that
poverty is no crime. No;
if it were men wouldn't be
ashamed of it. It's a
blunder, though, and
is punished as such. A poor man is despised the whole world over;
despised as much by a Christian as by a lord, as much by a demagogue
as by a
footman, and not all the copy-book maxims ever set for ink
stained youth will make him respected. Appearances are everything, so
far as human opinion goes, and the man who will walk down Piccadilly
arm in arm with the most
notorious scamp in London, provided he is a
well-dressed one, will slink up a back street to say a couple of words
to a seedy-looking gentleman. And the seedy-looking gentleman knows
this--no one better--and will go a mile round to avoid meeting an
acquaintance. Those that knew him in his
prosperity need never
trouble themselves to look the other way. He is a thousand times more
anxious that they should not see him than they can be; and as to their
assistance, there is nothing he dreads more than the offer of it. All
he wants is to be forgotten; and in this respect he is generally
fortunate enough to get what he wants.
One becomes used to being hard up, as one becomes used to everything
else, by the help of that wonderful old homeopathic doctor, Time. You
can tell at a glance the difference between the old hand and the
novice; between the case-hardened man who has been used to shift and
struggle for years and the poor devil of a
beginner striving to hide
his
misery, and in a
constant agony of fear lest he should be found
out. Nothing shows this difference more clearly than the way in which
each will pawn his watch. As the poet says somewhere: "True ease in
pawning comes from art, not chance." The one goes into his "uncle's"
with as much
composure as he would into his tailor's--very likely with
more. The
assistant is even civil and attends to him at once, to the
great
indignation of the lady in the next box, who, however,
sarcastically observes that she don't mind being kept
waiting "if it
is a regular customer." Why, from the pleasant and businesslike
manner in which the transaction is carried out, it might be a large
purchase in the three per cents. Yet what a piece of work a man makes
of his first "pop." A boy popping his first question is confidence
itself compared with him. He hangs about outside the shop until he
has succeeded in attracting the attention of all the loafers in the
neighborhood and has aroused strong suspicions in the mind of the
policeman on the beat. At last, after a careful
examination of the