shrill, unearthly notes in the dead of night, while the moaning wind
sweeps, sobbing, round the ruined
turret towers, and passes wailing
like a woman through the chambers bare and tenantless.
And dying prisoners, in their
loathsome dungeons, see through the
horrid gloom their small red eyes, like glittering coals, hear in the
death-like silence the rush of their claw-like feet, and start up
shrieking in the darkness and watch through the awful night.
I love to read tales about rats. They make my flesh creep so. I like
that tale of Bishop Hatto and the rats. The
wickedbishop, you know,
had ever so much corn stored in his granaries and would not let the
starving people touch it, but when they prayed to him for food
gathered them together in his barn, and then shutting the doors on
them, set fire to the place and burned them all to death. But next
day there came thousands upon thousands of rats, sent to do judgment
on him. Then Bishop Hatto fled to his strong tower that stood in the
middle of the Rhine, and barred himself in and fancied he was safe.
But the rats! they swam the river, they gnawed their way through the
thick stone walls, and ate him alive where he sat.
"They have whetted their teeth against the stones,
And now they pick the
bishop's bones;
They gnawed the flesh from every limb,
For they were sent to do judgment on him."
Oh, it's a lovely tale.
Then there is the story of the Pied Piper of Hamelin, how first he
piped the rats away, and afterward, when the mayor broke faith with
him, drew all the children along with him and went into the mountain.
What a curious old legend that is! I wonder what it means, or has it
any meaning at all? There seems something strange and deep lying hid
beneath the rippling rhyme. It haunts me, that picture of the quaint,
mysterious old piper piping through Hamelin's narrow streets, and the
children following with dancing feet and
thoughtful, eager faces. The
old folks try to stay them, but the children pay no heed. They hear
the weird, witched music and must follow. The games are left
unfinished and the playthings drop from their
careless hands. They
know not whither they are hastening. The
mystic music calls to them,
and they follow,
heedless and unasking where. It stirs and vibrates
in their hearts and other sounds grow faint. So they
wander through
Pied Piper Street away from Hamelin town.
I get thinking sometimes if the Pied Piper is really dead, or if he
may not still be roaming up and down our streets and lanes, but
playing now so
softly that only the children hear him. Why do the
little faces look so grave and
solemn when they pause
awhile from
romping, and stand, deep wrapt, with straining eyes? They only shake
their curly heads and dart back laughing to their playmates when we
question them. But I fancy myself they have been listening to the
magic music of the old Pied Piper, and perhaps with those bright eyes
of
theirs have even seen his odd,
fantastic figure gliding unnoticed
through the whirl and throng.
Even we
grown-up children hear his piping now and then. But the
yearning notes are very far away, and the noisy, blustering world is
always bellowing so loud it drowns the dreamlike
melody. One day the
sweet, sad strains will sound out full and clear, and then we too
shall, like the little children, throw our playthings all aside and
follow. The
loving hands will be stretched out to stay us, and the
voices we have
learned to listen for will cry to us to stop. But we
shall push the fond arms
gently back and pass out through the
sorrowing house and through the open door. For the wild, strange
music will be ringing in our hearts, and we shall know the meaning of
its song by then.
I wish people could love animals without getting maudlin over them, as
so many do. Women are the most hardened offenders in such respects,
but even our
intellectual sex often
degrade pets into nuisances by
absurd
idolatry. There are the gushing young ladies who, having read
"David Copperfield," have
thereupon sought out a small, longhaired dog
of nondescript breed, possessed of an irritating habit of criticising
a man's
trousers, and of finally commenting upon the same by a sniff
indicative of
contempt and
disgust. They talk sweet girlish prattle
to this animal (when there is any one near enough to
overhear them),
and they kiss its nose, and put its unwashed head up against their
cheek in a most
touching manner; though I have noticed that these
caresses are
principally performed when there are young men hanging
about.
Then there are the old ladies who
worship a fat poodle, scant of
breath and full of fleas. I knew a couple of
elderly spinsters once
who had a sort of German
sausage on legs which they called a dog
between them. They used to wash its face with warm water every
morning. It had a
mutton cutlet
regularly for breakfast; and on
Sundays, when one of the ladies went to church, the other always
stopped at home to keep the dog company.
There are many families where the whole interest of life is centered
upon the dog. Cats, by the way,
rarely suffer from
excess of
adulation. A cat possesses a very fair sense of the
ridiculous, and
will put her paw down kindly but
firmly upon any
nonsense of this
kind. Dogs, however, seem to like it. They
encourage their owners in
the
tomfoolery, and the
consequence is that in the circles I am
speaking of what "dear Fido" has done, does do, will do, won't do, can
do, can't do, was doing, is doing, is going to do, shall do, shan't
do, and is about to be going to have done is the
continual theme of
discussion from morning till night.
All the conversation, consisting, as it does, of the very dregs of
imbecility, is addressed to this confounded animal. The family sit in
a row all day long, watching him, commenting upon his actions, telling
each other anecdotes about him, recalling his virtues, and remembering
with tears how one day they lost him for two whole hours, on which
occasion he was brought home in a most
brutal manner by the
butcher-boy, who had been met carrying him by the scruff of his neck
with one hand, while soundly cuffing his head with the other.
After recovering from these bitter recollections, they vie with each
other in bursts of
admiration for the brute, until some more than
usually
enthusiastic member,
unable any longer to control his
feelings, swoops down upon the
unhappy quadruped in a
frenzy of
affection, clutches it to his heart, and slobbers over it. Whereupon
the others, mad with envy, rise up, and seizing as much of the dog as
the greed of the first one has left to them, murmur praise and
devotion.
Among these people everything is done through the dog. If you want to
make love to the
eldest daughter, or get the old man to lend you the
garden
roller, or the mother to
subscribe to the Society for the
Suppression of Solo-Cornet Players in Theatrical Orchestras (it's a
pity there isn't one, anyhow), you have to begin with the dog. You
must gain its approbation before they will even listen to you, and if,
as is highly
probable, the animal, whose frank, doggy nature has been
warped by the
unnaturaltreatment he has received, responds to your
overtures of friendship by viciously snapping at you, your cause is
lost forever.
"If Fido won't take to any one," the father has
thoughtfully remarked
beforehand, "I say that man is not to be trusted. You know, Maria,
how often I have said that. Ah! he knows, bless him."
Drat him!
And to think that the surly brute was once an
innocent puppy, all legs
and head, full of fun and play, and burning with
ambition to become a
big, good dog and bark like mother.
Ah me! life sadly changes us all. The world seems a vast horrible
grinding machine, into which what is fresh and bright and pure is
pushed at one end, to come out old and crabbed and wrinkled at the
other.
Look even at Pussy Sobersides, with her dull,
sleepy glance, her
grave, slow walk, and
dignified, prudish airs; who could ever think
that once she was the blue-eyed, whirling, scampering,
head-over-heels, mad little firework that we call a
kitten?
What
marvelousvitality a
kitten has. It is really something very
beautiful the way life bubbles over in the little creatures. They
rush about, and mew, and spring; dance on their hind legs, embrace
everything with their front ones, roll over and over, lie on their
backs and kick. They don't know what to do with themselves, they are
so full of life.