"Yes, yes, I see-I didn't mean '
"Look, Clara, love, just get out of my way and I'll get on with it, OK?"
Clara watched him roll up his sleeves with some
determination, and
tackle the coffee table once
more.
"If you really want to be of some help, love, you can start bringing in some of your clothes.
God knows there's enough of 'em to sink a bloody
battleship. How we're going to fit them in what
little space we have I'm sure I don't know."
"I say before we can trow some dem out, if you tink it best."
"Not up to me now, not up to me, is it? I mean, is it? And what about the coat-stand?"
This was the man: never able to make a decision, never able to state a position.
"I alreddy say: if ya nah like it, den send da damn ting back. I bought it 'cos I taut you like it."
"Well, love," said Archie,
cautious now that she had raised her voice, 'it was my money it would
have been nice at least to ask my opinion."
"Man! It a coat-stand. It jus' red. An' red is red is red. What's wrong wid red all of a sudden?"
"I'm just
trying," said Archie, lowering his voice to a
hoarse, forced whisper (a favourite
voice-weapon in the marital
arsenal: Not in front of the neighbours children 'to lift the tone in the
house a bit. This is a nice neighbourhood, new life, you know. Look, let's not argue. Let's flip a coin;
heads it stays, tails .. ."
True lovers row, then fall the next second back into each other's arms; more seasoned lovers
will walk up the stairs or into the next room before they
relent and retrace their steps. A
relationshipon the brink of
collapse will find one partner two blocks down the road or two countries to the east
before something tugs, some responsibility, some memory, a pull of a child's hand or a heart string,
which induces them to make the long journey back to their other half. On this Richter scale, then,
Clara made only the tiniest of rumbles. She turned towards the gate, walked two steps only and
stopped.
"Heads!" said Archie,
seemingly without
resentment. "It stays. See? That wasn't too hard."
"I don' wanna argue." She turned round to face him, having made a silent renewed resolution to
remember her debt to him. "You said the Iqbals are comin' to dinner. I was just thinkin' .. . if they're
going to want me to cook dem some curry1 mean, I can cook curry but it's my type of curry."
"For God's sake, they're not those kind of Indians," said Archie irritably, offended at the
suggestion. "Sam'll have a Sunday roast like the next man. He serves Indian food all the time, he
doesn't want to eat it too."
"I was just wondering '
"Well, don't, Clara. Please."
He gave her an
affectionate kiss on the forehead, for which she bent
downwards a little.
"I've known Sam for years, and his wife seems a quiet sort. They're not the royal family, you
know. They're not those kind of Indians," he
repeated, and shook his head, troubled by some
problem, some knotty feeling he could not entirely unravel.
Samad and Alsana Iqbal, who were not those kind of Indians (as, in Archie's mind, Clara was
not that kind of black), who were, in fact, not Indian at all but Bangladeshi, lived four blocks down
on
the wrong side of Willesden High Road. It had taken them a year to get there, a year of
mercilessly hard graft to make the momentous move from the wrong side of Whitechapel to the
wrong side of Willesden. A year's worth of Alsana banging away at the old Singer that sat in the
kitchen,
sewing together pieces of black plastic for a shop called Domination in Soho (many were
the nights Alsana would hold up a piece of clothing she had just made, following the pattern she
was given, and wonder what on earth it was). A year's worth of Samad softly inclining his head at
exactly the correct deferential angle, pencil in his left hand, listening to the
appalling pronunciation
of the British, Spanish, American, French, Australian:
Go Bye Ello Sag, please.
Chicken Jail Fret See wiv Chips, fan ks
From six in the evening until three in the morning; and then every day was spent asleep, until
daylight was as rare as a
decent tip. For what is the point, Samad would think, pushing aside two
mints and a receipt to find fifteen pence, what is the point of tipping a man the same amount you
would throw in a fountain to chase a wish? But before the
illegal thought of folding the fifteen
pence discreetly in his
napkin hand even had a chance to give itself form, Mukhul - Ardashir
Mukhul, who ran the Palace and whose wiry frame paced the restaurant, one
benevolent eye on the
customers, one ever
watchful eye on the staff- Mukhul was upon him.
"Saaamaad' he had a cloying, oleaginous way of
speaking 'did you kiss the necessary backside
this evening, cousin?"
Samad and Ardashir were distant cousins, Samad the elder by six years. With what joy (pure
bliss!) had Ardashir opened the letter last January, to find his older, cleverer, handsomer cousin was
finding it hard to get work in England and could he possibly.. .
"Fifteen pence, cousin," said Samad, lifting his palm.
"Well, every little helps, every little helps," said Ardashir, his
dead-fish lips stretching into a stringy smile. "Into the Piss-Pot with it."
The Piss-Pot was a black Balti pot that sat on a plinth outside the staff
toilets and into which all
tips were pooled and then split at the end of the night. For the younger, flashy,
good-lookingwaiters
like Shiva, this was a great
injustice. Shiva was the only Hindu on the staff- this stood as tribute to
his waite ring skills, which had triumphed over religious differences. Shiva could make a four quid
tip in an evening if the blubberous white divorcee in the corner was lonely enough and he batted his
long lashes at her
effectively. He could also make his money out of the polo-necked directors and
producers (the Palace sat in the centre of London's theatre land and these were still the days of the
Royal Court, of pretty boys and kitchen-sink drama) who flattered the boy, watched his ass wiggle
provocatively to the bar and back, and swore that if anyone ever adapted A Passage to India for the
stage he could have
whichever role tickled his fancy. For Shiva, then, the Piss-Pot system was
simply daylight
robbery and an insult to his unchallenged waite ring abilities. But for men like
Samad, in his late forties, and for the even older, like the white-haired Muhammed (Ardashir's
great-uncle), who was eighty if he was a day, who had deep pathways dug into the sides of his
mouth where he had smiled when he was young, for men like this the Piss-Pot could not be
complained about. It made more sense to join the
collective than pocket fifteen pence and risk
being caught (and docked a week's tips).
"You're all on my back!" Shiva would snarl, when he had to
relinquish five pounds at the end of
the night and drop it into the pot. "You all live off my back! Somebody get these losers off my back!
That was my river and now it's going to be split sixty-five-fucking-million ways as a hand-out to
these losers! What is this: communism?"
And the rest would avoid his glare and busy themselves quietly with other things, until one
evening, one fifteen pence evening,
Samad said, "Shut up, boy," quietly, almost under his breath.
"You!" Shiva swung round to where Samad stood, crushing a great tub of lentils for tomorrow's
dal. "You're the worst of them! You're the worst fucking
waiter I've ever seen! You couldn't get a tip
if you mugged the bastards! I hear you
trying to talk to the customer about
biology this, politics that
just serve the food, you idiot you're a
waiter, for fuck's sake, you're not Michael Parkinson. "Did I
hear you say Delhi'" Shiva put his apron over his arm and began posturing around the kitchen (he
was a
pitiful mimic) - '"I was there myself, you know, Delhi University, it was most fascinating, yes
and I fought in the war, for England, yes yes, yes, charming, charming."" Round and round the
kitchen he went, bending his head and rubbing his hands over and over like Uriah Heep, bowing
and genuflecting to the head cook, to the old man arranging great hunks of meat in the walk-in
freezer, to the young boy scrubbing the underside of the oven. "Samad, Samad .. ." he said with
what seemed
infinite pity, then stopped abruptly, pulled the apron off and wrapped it round his
waist. "You are such a sad little man."
Muhammed looked up from his pot-scrubbing and shook his head again and again. To no one in
particular he said, "These young people what kind of talk? What kind of talk? What happened to
respect? What kind of talk is this?"
"And you can fuck off too," said Shiva, brandishing a ladle in his direction, 'you old fool. You're
not my father."
"Second cousin of your mother's uncle," a voice muttered from the back. "Bollocks," said Shiva.
"Bollocks to that."
He grabbed the mop and was heading off for the
toilets, when he stopped by Samad and placed
the handle inches from Samad's mouth.
"Kiss it," he sneered; and then, impersonating Ardashir's
sluggish drawl, "Who knows, cousin,
you might get a rise!"
And that's what it was like most nights: abuse from Shiva and
others; condescension from Ardashir; never
seeing Alsana; never
seeing the sun; clutching
fifteen pence and then releasing it;
wantingdesperately to be wearing a sign, a large white placard
that said:
I AM NOT A WAITER. I HAVE BEEN A STUDENT, A SCIENTIST, A
SOLDIER, MY WIFE IS CALLED AL SANA WE LIVE IN EAST LONDON
BUT WE WOULD LIKE TO MOVE NORTH. I AM A MUSLIM BUT ALLAH
HAS FORSAKEN ME OR I HAVE FORSAKEN ALLAH, i'm NOT SURE. I
HAVE A FRIEND ARCHIE AND OTHERS. I AM FORTY-NINE BUT
WOMEN STILL TURN IN THE STREET. SOMETIMES.
But, no such placard existing, he had instead the urge, the need, to speak to every man, and, like
the Ancient Mariner, explain constantly, constantly
wanting to reassert something, anything. Wasn't
that important? But then the heart-breaking disappointment to find out that the inclining of one's
head, poising of one's pen, these were important, so important it was important to be a good
waiter,
to listen when someone said Lamb Dawn Sock and rice. With chips. Thank you.
And fifteen pence clinked on china. Thank you, sir. Thank you so very much.
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