Inside a local diner, a news anchor on the TV rattles off the latest update, "Capitol Hill saw its first deadlock of the term on the Senate floor this morning. The hotly contested energy bill ended up in a 50-50 tie. Which means it will now be up to Vice President Reynolds to cast the deciding vote." Sara and Katie sitting nearby ignore the TV. Katie is trying to convince Sara she needs to get out more. Katie thinks Sara needs something more than the prison. The conversation turns to the topic of Michael. Katie tries to press Sara for more details and asks if she has any feelings for Michael. Sara admits that she thinks Michael is interesting, even attractive. But at the end of the day, he's still an inmate. Sara assures Katie that nothing will ever happen between herself and an inmate.



















Michael sits on his bed, looking over the scattered mess of cloth strips he has arranged on the floor. He struggles to recreate the missing piece of the map, but his memory of the blue prints is failing him. Michael frantically moves about the floor, trying to fill in the gaps, but it's just not working. Frustrated, he swings his arms about, scattering the strips of cloth. He stops when his hand is gashed open, and blood slowly trickles to his wrist. Lincoln tries to talk to Michael again and he hears Michael whisper, "I put my blood into this." Lincoln is confused and worried. Michael, enraged, begins punching his fist against the wall of his cell, harder and harder. Lincoln begins to fear that he's lost his brother for good.



















Sucre stands at the cell door, trying to put himself in the right mindset for what he's about to do. He slowly turns and moves the toilet, then enters the familiar catwalks. Sucre warily makes his way through the tunnels to the hole in the guard room floor.



















Sucre scrambles up into the guard room and quickly pulls the table aside. He hurriedly prepares the hole and begins mixing the concrete. He throws down a piece of plywood the guys had earlier cut to fit the hole and pours the concrete over it. Outside, Sucre hears the jingle of keys as C.O. Stolte makes his rounds. Sucre rushes to finish smoothing the surface of the freshly poured concrete. In his hurry to finish, Sucre slips and knocks over a plastic bucket. After hearing the noise, Stolte pauses outside and walks back to the entrance of the guard room. Sucre rushes to clean up and reset the room.



















Stolte opens the door and walks in for a closer look. He passes through the foyer, where Sucre has hidden himself behind spare supplies. Stolte looks around the room and sees the bucket on the floor. Assuming that the bucket fell from the table, he turns and exits. Sucre still waits behind the supplies.



















Sucre now moves out the front door and sprints to the corner of the building. He looks around the yard, then makes a dash for the sewer grate that Michael used to gain access to the psych ward. Just as he is about to make it to the grate, the prison flood lights slam on and the alarm fills the prison yard. A C.O. spots him and barks out orders to stop. Sucre immediately throws his hands in the air and drops to the ground begging them not to shoot. Two C.O.s pile on top of Sucre, wrench his arms behind his back and handcuff him.



















Bellick confidently paces in his office, Sucre, defeated and dirty, sits with his head down. Bellick puts his feet up and continues to work his scare tactics on Sucre. "You know the State of Illinois doesn't look too kindly upon inmates who try to escape. Bellick crosses in front of him. He's stern, straightforward, telling Sucre what happens to cons caught trying to escape. "Charges are filed, they transfer you back to county for three months. You come back here with ten more years added to your bid." Sucre pleads that he wasn't trying to escape. Bellick, quickly tires of Sucre's excuses and charges him. Bellick grabs Sucre's neck and chokes him against the wall. Sucre, struggling to breath, confesses that he stayed out in the yard and hid under the bleachers until dark because he was waiting for something to come over the walls. Bellick tells Sucre that receiving drugs over the wall will add five years to his time. Sucre again, defies Bellick, "It wasn't drugs!" Bellick stands Sucre up and orders another C.O. to frisk him. The C.O. finds a package tucked into Sucre's right sock. He hands it to Bellick who quickly tears it open. Inside, Bellick finds Annie the Tranny's underwear, but Bellick believes they were from Sucre's fiancé. Bellick thinks Sucre is crazy, "You risked getting thrown in the SHU -- hell, you risked extra time on your bid, all for a pair of panties?" Sucre continues the act and asks Bellick if he understands. Bellick grumbles, "Sure, I understand," and slowly moves the underwear across his face.



















Two C.O.s then drag Sucre down to Ad Seg and toss him in a cell. Lincoln yells to Sucre through the glass. They try to get Michael's attention. Sucre and Lincoln loudly call for Michael, hoping for an answer. But Michael stays quiet. Lincoln calls for a C.O. and asks that he check on Michael. The C.O., a little disgruntled by the request, walks to Michael's cell door and flips open a slot at knee height. He turns his flashlight on and moves it through Michael's cell. The C.O. seems a little shocked at what he sees. He springs to his feet and immediately calls for medical assistance.



















Nick hangs up the phone after tracking down a place where he can purchase a cell phone charger that will work with Quinn's phone. He tells LJ to stay on the couch. Once Nick and Veronica leave, LJ jumps up from the couch and over to Nick's computer. He opens a search engine and enters the name, "O. Kravecki." The search returns an address and phone number for an Owen Kravecki. LJ grabs the phone and dials the number. After several rings, voicemail finally answers. LJ's eyes grow bigger as he realizes the voice on the message is that of Agent Kellerman. He can't believe what he's hearing.



















Michael's cell door slides open. She asks the C.O. to wait outside the cell. Sara slowly enters and sees Michael, hunched over on the floor and holding his injured hand. She then looks up and sees the maze of bloody lines drawn on the wall. Sara reaches down and slowly raises Michael's head. She flashes her penlight across his open eyes, but Michael doesn't react. Next, she slowly takes Michael's hand and checks the wound as he rests his head on her leg. Sara assures him that he's going to be okay.



















Out in the yard, Tweener digs quietly along the fence line, keeping an eye on Westmoreland. Westmoreland stands near C-Note, who is squatting and repairing a piece of the fence. Westmoreland says he hopes Sucre had enough time to finish the job. T-Bag walks up and says they're about to find out. He points over to the guard room as a carpet installation truck pulls up. Tweener sits off to the side, watching everything that is going down and trying to listen in.



















Kellerman is calling in from the field, looking for answers about Lincoln Burrows and his father. The Vice President is vague in her answer, telling Kellerman that her agenda and that of the Company just happened to be the same. Before she hangs up, Kellerman makes her promise that he is working for her and not working for the Company.



















As the Vice President hangs up, Brinker enters her office. Brinker has come to talk to the Vice President about the deadlocked energy bill. The Vice President says she understands her part and she will vote no. But Brinker has a change of plans, "Actually, we're going to need you to vote yes on this one." This request stuns the Vice President. Brinker tells the Vice President that this isn't about the vote, it's about how she'll look to voters. If she votes in favor of the bill, she will look more like a centrist and be in good standing with the voters during the next election year. Brinker finishes by saying, "Besides, once the bill hits the president's desk, he'll veto it, then we'll get precisely what we always wanted anyhow, won't we?" The Vice President sits quietly.



















Avocado walks up to the other side of the fence from where Tweener is standing and says, "You probably don't have a hair on your body, do you?" But before things can escalate, Bellick orders Tweener to his side. Tweener walks to Bellick, the rest of the P.I. crew keeps a close watch on him. Bellick threatens to make Avocado and Tweener cellmates if Tweener doesn't give Bellick some good information on Michael, and soon. Tweener tells him that the P.I. crew is definitely up to something and it has something to do with the carpet. Bellick leaves Tweener and heads for the guard room.



















He swings the door open as two carpet installers are taking measurements. Bellick moves around the room, looking for anything out of the ordinary. Agitated, Bellick barks at the carpet guys to leave. He flips the table over in the center of the room and begins tossing the room. He looks over the bare concrete floor, looking for any sign of tampering.



















Sucre and Lincoln sit quietly in their cells. They hear the urgent approach of footsteps and guard keys. Outside their windows, they see the Warden, Sara and a C.O. move quickly into Michael's cell. Michael now lays in a ball on the floor, his hand bandaged, but with the same blank stare on his face. Lincoln begins yelling Michael's name. The C.O.s close the outer door of Lincoln's cell to quiet him down.



















LJ walks down a Chicago street holding a piece of paper with Owen Kravecki's address on it. He finds the house, and walks up the front steps. He looks inside and tries the door, it's locked. LJ moves around to the backdoor. When it's locked, he smashes a small pane of glass with the handle of a gun taken from Nick's cabin. What LJ does not see, is an older woman across the way, watching his every move with concern. LJ reaches through the glass and opens the door.



















Michael sits comatose in the psych ward receiving room. Sara stands at the admitting desk, giving Michael's status to a nurse. A psych ward C.O. unshackles Michael from the bench he is sitting on and leads him into the psych ward. He hands Michael off to another orderly as Sara watches him walk away.



















LJ rummages through boxes in Owen Kravecki's home. Inside the boxes are packages full of beef jerky. LJ examines them, confused. He cautiously checks out the interior of the house, pausing to sift through some mail. Then, LJ sees Kellerman walking up the front steps. LJ runs further into the house to hide. Kellerman enters, throws his briefcase down and looks through his mail. The cocking of a gun hammer slightly startles Kellerman. He turns to face LJ who now has Kellerman square in his sights. LJ looks scared, but determined. Kellerman sighs and brushes LJ off, "Put it down, you're not a killer, you don't want to make any rash mistakes here." But LJ immediately fires the gun, the bullet grazing Kellerman's neck. Kellerman drops to the ground and LJ advances on him. Kellerman tries to negotiate with LJ, telling him there are ways out of this. He says, "I can help you beat this rap. But if you pull that trigger now, you really will be a killer, and then I can't help you. I'm government. There are a lot of things I can do for you." But LJ isn't listening and screams back, "The only thing you can do for me is die!" LJ pulls the hammer back again as Chicago police cars squeal to a halt outside. An officer outside yells to LJ, "Drop your weapon!" LJ drops the gun and raises his hands.



















Tweener, belongings in hand, moves up to the second tier. He's clearly upset. He begs Bellick, "I did what you said!" But Bellick says he gave him nothing. Tweener continues pleading, but it does no good. Bellick backs Tweener into his cell with his new cellmate, Avocado. "Have at it," Bellick tells Avocado as he walks away.



















Through Kellerman's window, we see LJ being loaded into the back of a police cruiser. Inside, the cop tells Kellerman that he's lucky, LJ had a warrant for double homicide. Kellerman plays dumb. He tells the officer that he's never seen LJ before. When the officer asks Kellerman what he does for a living, Kellerman tells him, "I'm a regional sales manager for a dehydrated meat distributor." He turns and looks at LJ, busted in the backseat of a patrol car.



















And orderly sits Michael down inside the psych ward's TV room. Michael, still displaying the same vacant stare, now wears a white jumpsuit. When the orderly walks away, Michael blinks and life springs back into his eyes. There's a conniving look on his face as he stands. As Michael makes his way across the room, various flashbacks remind us of Haywire's exposure to Michael's tattoo. Finally, Michael stops and says, "Hello, roomie." Michael sits before Haywire, who looks into Michael's eyes. Michael continues, "You were right about my tattoo. It is a path, just like you thought. And I need you to remember when you saw it, Haywire. I need you to remember what it looked like. Do you think you can do that for me?"



















Haywire pauses, then looks quizzically at Michael and replies, "Who are you?"



















Michael glares back at Haywire, the slightest hint of concern creeps into his stare.

关键字:越狱第一季

生词表: