She would be
weeping with me and be laughing,
A thoroughbred,
joyous receiving and giving!"
III. On Receiving One of Gloriana's Letters
Your pen needs but a ruffle
To be Pavlova whirling.
It surely is a scalawag
A-scamping down the page.
A pretty little May-wind
The morning buds uncurling.
And then the white sweet Russian,
The
dancer of the age.
Your pen's the Queen of Sheba,
Such serious questions bringing,
That merry
rascal Solomon
Would show a sober face: --
And then again Pavlova
To set our spirits singing,
The snowy-swan bacchante
All glamour, glee and grace.
IV. In Praise of Gloriana's Remarkable Golden Hair
The gleaming head of one fine friend
Is bent above my little song,
So through the treasure-pits of Heaven
In fancy's shoes, I march along.
I
wander, seek and peer and ponder
In Splendor's last ensnaring lair --
'Mid burnished harps and burnished crowns
Where noble chariots gleam and flare:
Amid the spirit-coins and gems,
The plates and cups and helms of fire --
The gorgeous-treasure-pits of Heaven --
Where angel-misers slake desire!
O endless treasure-pits of gold
Where silly angel-men make mirth --
I think that I am there this hour,
Though walking in the ways of earth!
Fourth Section
Twenty Poems in which the Moon is the Principal Figure of Speech
Once More -- To Gloriana
Girl with the burning golden eyes,
And red-bird song, and snowy
throat:
I bring you gold and silver moons
And diamond stars, and mists that float.
I bring you moons and snowy clouds,
I bring you
prairie skies to-night
To
feebly praise your golden eyes
And red-bird song, and
throat so white.
First Section: Moon Poems for the Children/Fairy-tales for the Children
I. Euclid
Old Euclid drew a circle
On a sand-beach long ago.
He bounded and enclosed it
With angles thus and so.
His set of
solemn greybeards
Nodded and argued much
Of arc and of circumference,
Diameter and such.
A silent child stood by them
From morning until noon
Because they drew such charming
Round pictures of the moon.
II. The Haughty Snail-king
(What Uncle William told the Children)
Twelve snails went walking after night.
They'd creep an inch or so,
Then stop and bug their eyes
And blow.
Some folks . . . are . . .
deadly . . . slow.
Twelve snails went walking yestereve,
Led by their fat old king.
They were so dull their princeling had
No sceptre, robe or ring --
Only a paper cap to wear
When
nightly journeying.
This king-snail said: "I feel a thought
Within. . . . It blossoms soon. . . .
O little courtiers of mine, . . .
I crave a pretty boon. . . .
Oh, yes . . . (High thoughts with effort come
And well-bred snails are ALMOST dumb.)
"I wish I had a yellow crown
As glistering . . . as . . . the moon."
III. What the Rattlesnake Said
The moon's a little
prairie-dog.
He shivers through the night.
He sits upon his hill and cries
For fear that *I* will bite.
The sun's a broncho. He's afraid
Like every other thing,
And trembles, morning, noon and night,
Lest *I* should spring, and sting.
IV. The Moon's the North Wind's Cooky
(What the Little Girl Said)
The Moon's the North Wind's cooky.
He bites it, day by day,
Until there's but a rim of scraps
That
crumble all away.
The South Wind is a baker.
He kneads clouds in his den,
And bakes a crisp new moon *that . . . greedy
North . . . Wind . . . eats . . . again!*
V. Drying their Wings
(What the Carpenter Said)
The moon's a
cottage with a door.
Some folks can see it plain.
Look, you may catch a glint of light,
A
sparkle through the pane,
Showing the place is brighter still
Within, though bright without.
There, at a cosy open fire
Strange babes are grouped about.
The children of the wind and tide --
The urchins of the sky,
Drying their wings from storms and things
So they again can fly.
VI. What the Gray-winged Fairy Said
The moon's a gong, hung in the wild,
Whose song the fays hold dear.
Of course you do not hear it, child.
It takes a FAIRY ear.
The full moon is a splendid gong
That beats as night grows still.
It sounds above the evening song
Of dove or whippoorwill.
VII. Yet Gentle will the Griffin Be
(What Grandpa told the Children)
The moon? It is a griffin's egg,
Hatching to-morrow night.
And how the little boys will watch
With shouting and delight
To see him break the shell and stretch
And creep across the sky.
The boys will laugh. The little girls,
I fear, may hide and cry.
Yet gentle will the griffin be,
Most decorous and fat,
And walk up to the milky way
And lap it like a cat.
Second Section: The Moon is a Mirror
I. Prologue. A Sense of Humor
No man should stand before the moon
To make sweet song thereon,
With dandified importance,
His sense of humor gone.
Nay, let us don the motley cap,
The jester's chastened mien,
If we would woo that looking-glass
And see what should be seen.
O mirror on fair Heaven's wall,
We find there what we bring.
So, let us smile in honest part
And deck our souls and sing.
Yea, by the chastened jest alone
Will ghosts and terrors pass,
And fays, or suchlike friendly things,
Throw kisses through the glass.
II. On the Garden-wall
Oh, once I walked a garden
In dreams. 'Twas yellow grass.
And many orange-trees grew there
In sand as white as glass.
The curving, wide wall-border
Was
marble, like the snow.
I walked that wall a fairy-prince
And, pacing
quaint and slow,
Beside me were my pages,
Two giant, friendly birds.
Half-swan they were, half peacock.
They spake in courtier-words.
Their inner wings a chariot,
Their outer wings for flight,
They lifted me from dreamland.
We bade those trees good-night.
Swiftly above the stars we rode.
I looked below me soon.
The white-walled garden I had ruled
Was one lone flower -- the moon.
III. Written for a Musician
Hungry for music with a
desperate hunger
I prowled
abroad, I threaded through the town;
The evening crowd was clamoring and drinking,
Vulgar and
pitiful -- my heart bowed down --
Till I remembered duller hours made noble
By strangers clad in some
surprising grace.
Wait, wait, my soul, your music comes ere midnight
Appearing in some
unexpected place
With quivering lips, and gleaming,
moonlit face.
IV. The Moon is a Painter
He coveted her portrait.
He toiled as she grew gay.
She loved to see him labor
In that
devoted way.
And in the end it pleased her,
But bowed him more with care.
Her rose-smile showed so plainly,
Her soul-smile was not there.
That night he groped without a lamp
To find a cloak, a book,
And on the vexing portrait
By moonrise chanced to look.
The color-scheme was out of key,