and uninspired. I'm always grubby and dingy on rainy nights."
"Some nights I like the rain -- I like to lie in bed and hear it

pattering on the roof and drifting through the pines."
"I like it when it stays on the roof," said Stella. "It doesn't

always. I spent a gruesome night in an old country farmhouse
last summer. The roof leaked and the rain came pattering down on

my bed. There was no poetry in THAT. I had to get up in the
`mirk midnight' and chivy round to pull the bedstead out of the

drip -- and it was one of those solid, old-fashioned beds that
weigh a ton -- more or less. And then that drip-drop, drip-drop

kept up all night until my nerves just went to pieces. You've no
idea what an eerie noise a great drop of rain falling with a

mushy thud on a bare floor makes in the night. It sounds like
ghostly footsteps and all that sort of thing. What are you

laughing over, Anne?"
"These stories. As Phil would say they are killing -- in more senses

than one, for everybody died in them. What dazzlingly lovely heroines
we had -- and how we dressed them! Silks -- satins -- velvets -- jewels

-- laces -- they never wore anything else. Here is one of Jane Andrews'
stories depicting her heroine as sleeping in a beautiful white satin

nightdress trimmed with seed pearls."
"Go on," said Stella. "I begin to feel that life is worth living

as long as there's a laugh in it."
"Here's one I wrote. My heroine is disporting herself at a ball

`glittering from head to foot with large diamonds of the first
water.' But what booted beauty or rich attire? `The paths of

glory lead but to the grave.' They must either be murdered or die
of a broken heart. There was no escape for them."

"Let me read some of your stories."
"Well, here's my masterpiece. Note its cheerful title -- `My Graves.'

I shed quarts of tears while writing it, and the other girls shed gallons
while I read it. Jane Andrews' mother scolded her frightfully because

she had so many handkerchiefs in the wash that week. It's a harrowing
tale of the wanderings of a Methodist minister's wife. I made her a

Methodist because it was necessary that she should wander. She buried
a child every place she lived in. There were nine of them and their

graves were severed far apart, ranging from Newfoundland to Vancouver.
I described the children, pictured their several death beds, and

detailed their tombstones and epitaphs. I had intended to bury the
whole nine but when I had disposed of eight my invention of horrors

gave out and I permitted the ninth to live as a hopeless cripple."
While Stella read My Graves, punctuating its tragic paragraphs

with chuckles, and Rusty slept the sleep of a just cat who has
been out all night curled up on a Jane Andrews tale of a beautiful

maiden of fifteen who went to nurse in a leper colony -- of course
dying of the loathsome disease finally -- Anne glanced over the other

manuscripts and recalled the old days at Avonlea school when the members
of the Story Club, sitting under the spruce trees or down among the

ferns by the brook, had written them. What fun they had had!
How the sunshine and mirth of those olden summers returned as she read.

Not all the glory that was Greece or the grandeur that was Rome could
weave such wizardry as those funny, tearful tales of the Story Club.

Among the manuscripts Anne found one written on sheets of wrapping paper.
A wave of laughter filled her gray eyes as she recalled the time and

place of its genesis. It was the sketch she had written the day she
fell through the roof of the Cobb duckhouse on the Tory Road.

Anne glanced over it, then fell to reading it intently. It was a
little dialogue between asters and sweet-peas, wild canaries in the

lilac bush, and the guardian spirit of the garden. After she had
read it, she sat, staring into space; and when Stella had gone she

smoothed out the crumpled manuscript.
"I believe I will," she said resolutely.

Chapter XXXVI
The Gardners'Call

"Here is a letter with an Indian stamp for you, Aunt Jimsie,"
said Phil. "Here are three for Stella, and two for Pris, and a

glorious fat one for me from Jo. There's nothing for you, Anne,
except a circular."

Nobody noticed Anne's flush as she took the thin letter Phil tossed
her carelessly. But a few minutes later Phil looked up to see a

transfigured Anne.
"Honey, what good thing has happened?"

"The Youth's Friend has accepted a little sketch I sent them a
fortnight ago," said Anne, trying hard to speak as if she were

accustomed to having sketches accepted every mail, but not
quite succeeding.

"Anne Shirley! How glorious! What was it? When is it to be
published? Did they pay you for it?"

"Yes; they've sent a check for ten dollars, and the editor writes
that he would like to see more of my work. Dear man, he shall.

It was an old sketch I found in my box. I re-wrote it and sent
it in -- but I never really thought it could be accepted because

it had no plot," said Anne, recalling the bitter experience of
Averil's Atonement.

"What are you going to do with that ten dollars, Anne? Let's all
go up town and get drunk," suggested Phil.

"I AM going to squander it in a wild soulless revel of some sort,"
declared Anne gaily. "At all events it isn't tainted money --

like the check I got for that horrible Reliable Baking Powder story.
I spent IT usefully for clothes and hated them every time I put them on."

"Think of having a real live author at Patty's Place," said Priscilla.
"It's a great responsibility," said Aunt Jamesina solemnly.

"Indeed it is," agreed Pris with equal solemnity. "Authors are
kittle cattle. You never know when or how they will break out.

Anne may make copy of us."
"I meant that the ability to write for the Press was a great

responsibility," said Aunt Jamesina severely. "and I hope Anne
realizes, it. My daughter used to write stories before she went

to the foreign field, but now she has turned her attention to
higher things. She used to say her motto was `Never write a line

you would be ashamed to read at your own funeral.' You'd better
take that for yours, Anne, if you are going to embark in literature.

Though, to be sure," added Aunt Jamesina perplexedly, "Elizabeth
always used to laugh when she said it. She always laughed so much

that I don't know how she ever came to decide on being a missionary.
I'm thankful she did -- I prayed that she might -- but -- I wish

she hadn't."
Then Aunt Jamesina wondered why those giddy girls all laughed.

Anne's eyes shone all that day; literary ambitions sprouted and
budded in her brain; their exhilaration accompanied her to Jennie

Cooper's walking party, and not even the sight of Gilbert and
Christine, walking just ahead of her and Roy, could quite subdue

the sparkle of her starry hopes. Nevertheless, she was not so
rapt from things of earth as to be unable to notice that

Christine's walk was decidedly" target="_blank" title="ad.坚决地，果断地">decidedly ungraceful.
"But I suppose Gilbert looks only at her face. So like a man,"

thought Anne scornfully.
"Shall you be home Saturday afternoon?" asked Roy.

"Yes."
"My mother and sisters are coming to call on you," said Roy quietly.

Something went over Anne which might be described as a thrill, but
it was hardly a pleasant one. She had never met any of Roy's family;

she realized the significance of his statement; and it had, somehow,
an irrevocableness about it that chilled her.

"I shall be glad to see them," she said flatly; and then wondered
if she really would be glad. She ought to be, of course. But

would it not be something of an ordeal? Gossip had filtered to
Anne regarding the light in which the Gardners viewed the

"infatuation" of son and brother. Roy must have brought pressure
to bear in the matter of this call. Anne knew she would be