酷兔英语

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At no man's beck, but know ourself and thee,

O Vashti, noble Vashti! Summoned out
She kept her state, and left the drunken king

To brawl at Shushan underneath the palms.'
'Alas your Highness breathes full East,' I said,

'On that which leans to you. I know the Prince,
I prize his truth: and then how vast a work

To assail this gray pre锟絤inence of man!
You grant me license; might I use it? think;

Ere half be done perchance your life may fail;
Then comes the feebler heiress of your plan,

And takes and ruins all; and thus your pains
May only make that footprint upon sand

Which old-recurring waves of prejudice
Resmooth to nothing: might I dread that you,

With only Fame for spouse and your great deeds
For issue, yet may live in vain, and miss,

Meanwhile, what every woman counts her due,
Love, children, happiness?'

And she exclaimed,
'Peace, you young savage of the Northern wild!

What! though your Prince's love were like a God's,
Have we not made ourself the sacrifice?

You are bold indeed: we are not talked to thus:
Yet will we say for children, would they grew

Like field-flowers everywhere! we like them well:
But children die; and let me tell you, girl,

Howe'er you babble, great deeds cannot die;
They with the sun and moon renew their light

For ever, blessing those that look on them.
Children--that men may pluck them from our hearts,

Kill us with pity, break us with ourselves--
O--children--there is nothing upon earth

More miserable than she that has a son
And sees him err: nor would we work for fame;

Though she perhaps might reap the applause of Great,
Who earns the one POU STO whence after-hands

May move the world, though she herself effect
But little: wherefore up and act, nor shrink

For fear our solid aim be dissipated
By frail successors. Would, indeed, we had been,

In lieu of many mortal flies, a race
Of giants living, each, a thousand years,

That we might see our own work out, and watch
The sandy footprintharden into stone.'

I answered nothing, doubtful in myself
If that strange Poet-princess with her grand

Imaginations might at all be won.
And she broke out interpreting my thoughts:

'No doubt we seem a kind of monster to you;
We are used to that: for women, up till this

Cramped under worse than South-sea-isle taboo,
Dwarfs of the gyn锟絚eum, fail so far

In high desire, they know not, cannot guess
How much their welfare is a passion to us.

If we could give them surer, quicker proof--
Oh if our end were less achievable

By slow approaches, than by single act
Of immolation, any phase of death,

We were as prompt to spring against the pikes,
Or down the fiery gulf as talk of it,

To compass our dear sisters' liberties.'
She bowed as if to veil a noble tear;

And up we came to where the river sloped
To plunge in cataract, shattering on black blocks

A breadth of thunder. O'er it shook the woods,
And danced the colour, and, below, stuck out

The bones of some vast bulk that lived and roared
Before man was. She gazed awhile and said,

'As these rude bones to us, are we to her
That will be.' 'Dare we dream of that,' I asked,

'Which wrought us, as the workman and his work,
That practice betters?' 'How,' she cried, 'you love

The metaphysics! read and earn our prize,
A golden brooch: beneath an emerald plane

Sits Diotima, teaching him that died
Of hemlock; our device; wrought to the life;

She rapt upon her subject, he on her:
For there are schools for all.' 'And yet' I said

'Methinks I have not found among them all
One anatomic.' 'Nay, we thought of that,'

She answered, 'but it pleased us not: in truth
We shudder but to dream our maids should ape

Those monstrous males that carve the living hound,
And cram him with the fragments of the grave,

Or in the dark dissolving human heart,
And holy secrets of this microcosm,

Dabbling a shameless hand with shameful jest,
Encarnalize their spirits: yet we know

Knowledge is knowledge, and this matter hangs:
Howbeit ourself, foreseeing casualty,

Nor willing men should come among us, learnt,
For many weary moons before we came,

This craft of healing. Were you sick, ourself
Would tend upon you. To your question now,

Which touches on the workman and his work.
Let there be light and there was light: 'tis so:

For was, and is, and will be, are but is;
And all creation is one act at once,

The birth of light: but we that are not all,
As parts, can see but parts, now this, now that,

And live, perforce, from thought to thought, and make
One act a phantom of succession: thus

Our weakness somehow shapes the shadow, Time;
But in the shadow will we work, and mould

The woman to the fuller day.'
She spake

With kindled eyes; we rode a league beyond,
And, o'er a bridge of pinewood crossing, came

On flowery levels underneath the crag,
Full of all beauty. 'O how sweet' I said

(For I was half-oblivious of my mask)
'To linger here with one that loved us.' 'Yea,'

She answered, 'or with fair philosophies
That lift the fancy; for indeed these fields

Are lovely, lovelier not the Elysian lawns,
Where paced the Demigods of old, and saw

The soft white vapour streak the crown锟絛 towers
Built to the Sun:' then, turning to her maids,

'Pitch our pavilion here upon the sward;
Lay out the viands.' At the word, they raised

A tent of satin, elaborately wrought
With fair Corinna's triumph; here she stood,

Engirt with many a florid maiden-cheek,
The woman-conqueror; woman-conquered there

The bearded Victor of ten-thousand hymns,
And all the men mourned at his side: but we

Set forth to climb; then, climbing, Cyril kept
With Psyche, with Melissa Florian, I

With mine affianced. Many a little hand
Glanced like a touch of sunshine on the rocks,

Many a light foot shone like a jewel set
In the dark crag: and then we turned, we wound

About the cliffs, the copses, out and in,
Hammering and clinking, chattering stony names

Of shales and hornblende, rag and trap and tuff,
Amygdaloid and trachyte, till the Sun

Grew broader toward his death and fell, and all
The rosy heights came out above the lawns.

The splendour falls on castle walls
And snowy summits old in story:

The long light shakes across the lakes,
And the wild cataract leaps in glory.

Blow, bugle, blow, set the wild echoes flying,
Blow, bugle; answer, echoes, dying, dying, dying.

O hark, O hear! how thin and clear,
And thinner, clearer, farther going!

O sweet and far from cliff and scar
The horns of Elfland faintly blowing!

Blow, let us hear the purple glens replying:
Blow, bugle; answer, echoes, dying, dying, dying.

O love, they die in yon rich sky,
They faint on hill or field or river:

Our echoes roll from soul to soul,
And grow for ever and for ever.

Blow, bugle, blow, set the wild echoes flying,
And answer, echoes, answer, dying, dying, dying.

IV
'There sinks the nebulous star we call the Sun,

If that hypothesis of theirs be sound'
Said Ida; 'let us down and rest;' and we

Down from the lean and wrinkled precipices,
By every coppice-feathered chasm and cleft,

Dropt through the ambrosial gloom to where below
No bigger than a glow-worm shone the tent

Lamp-lit from the inner. Once she leaned on me,
Descending; once or twice she lent her hand,

And blissful palpitations in the blood,
Stirring a sudden transport rose and fell.

But when we planted level feet, and dipt
Beneath the satin dome and entered in,

There leaning deep in broidered down we sank
Our elbows: on a tripod in the midst

A fragrant flame rose, and before us glowed
Fruit, blossom, viand, amber wine, and gold.

Then she, 'Let some one sing to us: lightlier move
The minutes fledged with music:' and a maid,

Of those beside her, smote her harp, and sang.
'Tears, idle tears, I know not what they mean,

Tears from the depth of some divine despair
Rise in the heart, and gather to the eyes,

In looking on the happy Autumn-fields,
And thinking of the days that are no more.

'Fresh as the first beam glittering on a sail,
That brings our friends up from the underworld,

Sad as the last which reddens over one
That sinks with all we love below the verge;

So sad, so fresh, the days that are no more.
'Ah, sad and strange as in dark summer dawns

The earliest pipe of half-awakened birds
To dying ears, when unto dying eyes

The casement slowly grows a glimmering square;
So sad, so strange, the days that are no more.

'Dear as remembered kisses after death,
And sweet as those by hopeless fancy feigned

On lips that are for others; deep as love,
Deep as first love, and wild with all regret;

O Death in Life, the days that are no more.'
She ended with such passion that the tear,

She sang of, shook and fell, an erring pearl
Lost in her bosom: but with some disdain



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