During the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung
oppressively low in the heavens, I had been passing alone, on
horseback, through a
singularly
dreary tract of country; and at length found myself, as the shades of the evening drew on, within view of the
melancholy House of Usher. I know not how it was--but, with the first glimpse of the building, a sense of insufferable gloom pervaded my spirit. I say insufferable; for the feeling was unrelieved by any of that half-pleasurable, because
poetic, sentiment, with which the mind usually receives even the sternest natural images of the
desolate or terrible. I looked upon the scene before me--upon the mere house, and the simple
landscape features of the
domain--upon the bleak walls--upon the vacant eye-like windows--upon a few rank sedges--and upon a few white trunks of decayed trees--with an utter depression of soul which I can compare to no
earthly sensation more properly than to the after-dream of the reveller upon opium--the bitter lapse into
everyday life-the
hideous dropping off of the reveller upon opium--the bitter lapse into
everyday life--the
hideous dropping off of the veil. There was an iciness, a sinking, a
sickening of the heart--an unredeemed dreariness of thought which no goading of the imagination could torture into aught of the
sublime. What was it--I paused to think--what was it that so unnerved me in the
contemplation of the House of Usher? It was a mystery all insoluble; nor could I
grapple with the
shadowy fancies that
crowded upon me as I pondered. I was forced to fall back upon the
unsatisfactory conclusion, that while, beyond doubt, there are combinations of very simple natural objects which have the power of thus affecting us, still the analysis of this power lies among considerations beyond our depth. It was possible, I reflected, that a mere different arrangement of the particulars of the scene, of the details of the picture, would be sufficient to modify, or perhaps to
annihilate its capacity for
sorrowful impression; and, acting upon this idea, I reined my horse to the precipitous brink of a black and lurid tarn that lay in unruffled lustre by the dwelling, and gazed down--but with a
shudder even more thrilling than before--upon the remodelled and inverted images of the gray sedge, and the
ghastly tree-stems, and the vacant and eye-like windows.
Nevertheless, in this
mansion of gloom I now proposed to myself a
sojourn of some weeks. Its
proprietor, Roderick Usher, had been one of my boon companions in
boyhood; but many years had elapsed since our last meeting. A letter, however, had lately reached me in a distant part of the country--a letter from him--which, in its wildly importunate nature, had admitted of no other than a personal reply. The MS. gave evidence of nervous
agitation. The writer spoke of acute
bodily illness--of a mental
disorder which oppressed him--and of an earnest desire to see me, as his best, and indeed his only personal friend, with a view of attempting, by the
cheerfulness of my society, some alleviation of his
malady. It was the manner in which all this, and much more, was said--it the apparent heart that went with his request--which allowed me no room for
hesitation; and I accordingly obeyed
forthwith what I still considered a very
singular summons.
Although, as boys, we had been even intimate associates, yet really knew little of my friend. His reserve had been always
excessive and
habitual. I was aware, however, that his very ancient family had been noted, time out of mind, for a peculiar sensibility of
temperament, displaying itself, through long ages, in many works of exalted art, and
manifested, of late, in
repeated deeds of munificent yet unobtrusive
charity, as well as in a
passionate devotion to the intricacies, perhaps even more than to the
orthodox and easily recognisable beauties, of musical science. I had
learned, too, the very remarkable fact, that the stem of the Usher race, all time-honoured as it was, had put forth, at no period, any
enduring branch; in other words, that the entire family lay in the direct line of
descent, and had always, with very trifling and very
temporaryvariation, so lain. It was this
deficiency, I considered, while running over in thought the perfect keeping of the character of the premises with the accredited character of the people, and while speculating upon the possible influence which the one, in the long lapse of centuries, might have exercised upon the other--it was this
deficiency, perhaps, of collateral issue, and the
consequent undeviating
transmission, from sire to son, of the patrimony with the name, which had, at length, so identified the two as to merge the original title of the estate in the
quaint and equivocal appellation of the "House of Usher" --an appellation which seemed to include, in the minds of the peasantry who used it, both the family and the family
mansion.
I have said that the sole effect of my somewhat childish experiment --that of looking down within the tarn--had been to
deepen the first
singular impression. There can be no doubt that the
consciousness of the rapid increase of my superstition--for why should I not so term it?--served mainly to
accelerate the increase itself. Such, I have long known, is the paradoxical law of all sentiments having terror as a basis. And it might have been for this reason only, that, when I again uplifted my eyes to the house itself, from its image in the pool, there grew in my mind a strange fancy --a fancy so
ridiculous, indeed, that I but mention it to show the vivid force of the sensations which oppressed me. I had so worked upon my imagination as really to believe that about the whole
mansion and
domain there hung an atmosphere peculiar to themselves and their immediate
vicinity-an atmosphere which had no
affinity with the air of heaven, but which had reeked up from the decayed trees, and the gray wall, and the silent tarn--a pestilent and
mystic vapour, dull,
sluggish,
faintly discernible, and leaden-hued.
Shaking off from my spirit what must have been a dream, I scanned more
narrowly the real aspect of the building. Its principal feature seemed to be that of an
excessiveantiquity. The discoloration of ages had been great. Minute fungi overspread the whole
exterior,
hanging in a fine tangled web-work from the eaves. Yet all this was apart from any extraordinary dilapidation. No portion of the
masonry had fallen; and there appeared to be a wild inconsistency between its still perfect
adaptation of parts, and the crumbling condition of the individual stones. In this there was much that reminded me of the specious totality of old wood-work which has rotted for long years in some neglected vault, with no
disturbance from the breath of the
external air. Beyond this indication of extensive decay, however, the fabric gave little token of instability. Perhaps the eye of a scrutinising observer might have discovered a barely
perceptiblefissure, which, extending from the roof of the building in front, made its way down the wall in a
zigzag direction, until it became lost in the
sullen waters of the tarn.
Noticing these things, I rode over a short
causeway to the house. A servant in waiting took my horse, and I entered the Gothic archway of the hall. A valet, of stealthy step, thence conducted me, in silence, through many dark and
intricate passages in my progress to the
studio of his master. Much that I encountered on the way contributed, I know not how, to
heighten the vague sentiments of which I have already spoken. While the objects around me--while the carvings of the ceilings, the sombre tapestries of the walls, the ebon
blackness of the floors, and the phantasmagoric armorial trophies which rattled as I
strode, were but matters to which, or to such as which, I had been accustomed from my infancy--while I hesitated not to acknowledge how familiar was all this--I still wondered to find how
unfamiliar were the fancies which ordinary images were
stirring up. On one of the
staircases, I met the physician of the family. His countenance, I thought, wore a mingled expression of low cunning and
perplexity. He accosted me with trepidation and passed on. The valet now threw open a door and ushered me into the presence of his master.
The room in which I found myself was very large and lofty. The windows were long, narrow, and pointed, and at so vast a distance from the black oaken floor as to be altogether
inaccessible from within. Feeble gleams of encrimsoned light made their way through the trellised panes, and served to render sufficiently distinct the more prominent objects around the eye, however, struggled in vain to reach the remoter angles of the
chamber, or the recesses of the vaulted and fretted ceiling. Dark draperies hung upon the walls. The general furniture was profuse, comfortless,
antique, and
tattered. Many books and musical instruments lay scattered about, but failed to give any
vitality to the scene. I felt that I breathed an atmosphere of sorrow. An air of stern, deep, and irredeemable gloom hung over and pervaded all.
Upon my entrance, Usher arose from a sofa on which he had been lying at full length, and greeted me with a vivacious warmth which had much in it, I at first thought, of an overdone cordiality--of the constrained effort of the ennuye man of the world. A glance, however, at his countenance, convinced me of his perfect
sincerity. We sat down; and for some moments, while he spoke not, I gazed upon him with a feeling half of pity, half of awe. Surely, man had never before so terribly altered, in so brief a period, as had Roderick Usher! It was with difficulty that I could bring myself to admit the
identity of the wan being before me with the companion of my early
boyhood. Yet the character of his face had been at all times remarkable. A cadaverousness of
complexion; an eye large, liquid, and
luminous beyond comparison; lips somewhat thin and very pallid, but of a surpassingly beautiful curve; a nose of a delicate Hebrew model, but with a
breadth of
nostril unusual in similar formations; a
finely moulded chin,
speaking, in its want of prominence, of a want of moral energy; hair of a more than web-like
softness and tenuity; these features, with an inordinate
expansion above the regions of the temple, made up altogether a countenance not easily to be forgotten. And now in the mere
exaggeration of the
prevailing character of these features, and of the expression they were wont to convey, lay so much of change that I doubted to whom I spoke. The now
ghastly pallor of the skin, and the now
miraculous lustre of the eve, above all things startled and even awed me. The
silken hair, too, had been suffered to grow all unheeded, and as, in its wild gossamer
texture, it floated rather than fell about the face, I could not, even with effort, connect its Arabesque expression with any idea of simple humanity.
In the manner of my friend I was at once struck with an incoherence --an inconsistency; and I soon found this to arise from a series of feeble and
futile struggles to overcome an
habitual trepidancy--an
excessive nervous
agitation. For something of this nature I had indeed been prepared, no less by his letter, than by reminiscences of certain
boyish traits, and by conclusions deduced from his peculiar physical conformation and
temperament. His action was
alternately vivacious and
sullen. His voice
varied rapidly from a
tremulous indecision (when the animal spirits seemed utterly in abeyance) to that
species of
energetic concision--that
abrupt, weighty, un
hurried, and hollow-sounding enunciation--that leaden, self-balanced and
perfectly modulated guttural
utterance, which may be observed in the lost
drunkard, or the irreclaimable eater of opium, during the periods of his most
intense excitement.
It was thus that he spoke of the object of my visit, of his earnest desire to see me, and of the
solace he expected me to afford him. He entered, at some length, into what he conceived to be the nature of his
malady. It was, he said, a
constitutional and a family evil, and one for which he despaired to find a remedy--a mere nervous affection, he immediately added, which would undoubtedly soon pass off. It displayed itself in a host of
unnatural sensations. Some of these, as he detailed them, interested and bewildered me; although, perhaps, the terms, and the general manner of the narration had their weight. He suffered much from a morbid acuteness of the senses; the most insipid food was alone endurable; he could wear only garments of certain
texture; the odours of all flowers were
oppressive; his eyes were tortured by even a faint light; and there were but peculiar sounds, and these from stringed instruments, which did not inspire him with horror.
To an anomalous
species of terror I found him a bounden slave. "I shall perish," said he, "I must perish in this
deplorable folly. Thus, thus, and not otherwise, shall I be lost. I dread the events of the future, not in themselves, but in their results. I
shudder at the thought of any, even the most
trivial, incident, which may operate upon this
intolerableagitation of soul. I have, indeed, no abhorrence of danger, except in its absolute effect--in terror. In this unnerved-in this pitiable condition--I feel that the period will sooner or later arrive when I must abandon life and reason together, in some struggle with the grim phantasm, FEAR."
I
learned, moreover, at intervals, and through broken and equivocal hints, another
singular feature of his mental condition. He was enchained by certain
superstitious impressions in regard to the dwelling which he
tenanted, and
whence, for many years, he had never ventured forth--in regard to an influence whose supposititious force was conveyed in terms too
shadowy here to be re-stated--an influence which some peculiarities in the mere form and substance of his family
mansion, had, by dint of long sufferance, he said, obtained over his spirit-an effect which the physique of the gray walls and turrets, and of the dim tarn into which they all looked down, had, at length, brought about upon the morale of his existence.
He admitted, however, although with
hesitation, that much of the peculiar gloom which thus afflicted him could be traced to a more natural and far more palpable origin--to the severe and long-continued illness --indeed to the evidently approaching dissolution-of a
tenderly beloved sister--his sole companion for long years--his last and only relative on earth. "Her decease," he said, with a
bitterness which I can never forget, "would leave him (him the
hopeless and the frail) the last of the ancient race of the Ushers." While he spoke, the lady Madeline (for so was she called) passed slowly through a remote portion of the apartment, and, without having noticed my presence, disappeared. I regarded her with an utter astonishment not unmingled with dread--and yet I found it impossible to account for such feelings. A sensation of stupor oppressed me, as my eyes followed her retreating steps. When a door, at length, closed upon her, my glance sought
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instinctively and eagerly the countenance of the brother--but he had buried his face in his hands, and I could only perceive that a far more than ordinary wanness had overspread the emaciated fingers through which trickled many
passionate tears.
The disease of the lady Madeline had long baffled the skill of her physicians. A settled
apathy, a
gradualwasting away of the person, and frequent although
transient affections of a
partially cataleptical character, were the unusual diagnosis. Hitherto she had steadily borne up against the pressure of her
malady, and had not betaken herself finally to bed; but, on the closing in of the evening of my arrival at the house, she succumbed (as her brother told me at night with inexpressible
agitation) to the prostrating power of the destroyer; and I
learned that the glimpse I had obtained of her person would thus probably be the last I should obtain --that the lady, at least while living, would be seen by me no more.
For several days ensuing, her name was unmentioned by either Usher or myself: and during this period I was busied in earnest endeavours to alleviate the
melancholy of my friend. We painted and read together; or I listened, as if in a dream, to the wild improvisations of his
speakingguitar. And thus, as a closer and still
intimacy admitted me more unreservedly into the recesses of his spirit, the more bitterly did I perceive the futility of all attempt at cheering a mind from which darkness, as if an
inherentpositive quality, poured forth upon all objects of the moral and physical
universe, in one unceasing radiation of gloom.
I shall ever bear about me a memory of the many solemn hours I thus spent alone with the master of the House of Usher. Yet I should fail in any attempt to convey an idea of the exact character of the studies, or of the occupations, in which he involved me, or led me the way. An excited and highly distempered ideality threw a sulphureous lustre over all. His long improvised dirges will ring forever in my cars. Among other things, I hold
painfully in mind a certain
singular perversion and amplification of the wild air of the last waltz of Von Weber. From the paintings over which his elaborate fancy brooded, and which grew, touch by touch, into vaguenesses at which I
shuddered the more thrillingly, because I
shuddered knowing not why;--from these paintings (vivid as their images now are before me) I would in vain endeavour to educe more than a small portion which should lie within the compass of merely written words. By the utter
simplicity, by the nakedness of his designs, he arrested and overawed attention. If ever
mortal painted an idea, that
mortal was Roderick Usher. For me at least--in the circumstances then
surrounding me--there arose out of the pure abstractions which the hypochondriac contrived to throw upon his canvas, an
intensity of
intolerable awe, no shadow of which felt I ever yet in the
contemplation of the certainly glowing yet too
concrete reveries of Fuseli.
One of the phantasmagoric conceptions of my friend, partaking not so
rigidly of the spirit of abstraction, may be shadowed forth, although
feebly, in words. A small picture presented the interior of an
immensely long and
rectangular vault or tunnel, with low walls, smooth, white, and without interruption or device. Certain
accessory points of the design served well to convey the idea that this
excavation lay at an
exceeding depth below the surface of the earth. No
outlet was observed in any portion of its vast extent, and no torch, or other artificial source of light was discernible; yet a flood of
intense rays rolled throughout, and bathed the whole in a
ghastly and inappropriate splendour.
I have just spoken of that morbid condition of the auditory nerve which rendered all music
intolerable to the
sufferer, with the exception of certain effects of stringed instruments. It was, perhaps, the narrow limits to which he thus confined himself upon the
guitar, which gave birth, in great measure, to the
fantastic character of his performances. But the fervid facility of his impromptus could not be so accounted for. They must have been, and were, in the notes, as well as in the words of his wild fantasias (for he not unfrequently accompanied himself with rhymed
verbal improvisations), the result of that
intense mental collectedness and concentration to which I have
previously alluded as observable only in particular moments of the highest artificial excitement. The words of one of these rhapsodies I have easily remembered. I was, perhaps, the more
forcibly impressed with it, as he gave it, because, in the under or
mystic current of its meaning, I fancied that I perceived, and for the first time, a full
consciousness on the part of Usher, of the tottering of his lofty reason upon her
throne. The verses, which were entitled "The Haunted Palace," ran very nearly, if not
accurately, thus:
I.
In the greenest of our valleys,
By good angels
tenanted,
Once fair and
stately palace--
Radiant palace--reared its head.
In the monarch Thought's
dominion--
It stood there!
Never seraph spread a
pinionOver fabric half so fair.
II.
Banners yellow, glorious, golden,
On its roof did float and flow;
(This--all this--was in the olden
Time long ago);
And every gentle air that dallied,
In that sweet day,
Along the ramparts plumed and pallid,
A winged odour went away.
III.
Wanderers in that happy valley
Through two
luminous windows saw
Spirits moving musically
To a lute's well-tuned law,
Round about a
throne, where sitting
(Porphyrogene!)
In state his glory well befitting,
The ruler of the realm was seen.
IV.
And all with pearl and ruby glowing
Was the fair palace door,
Through which came flowing, flowing, flowing
And sparkling
evermore,
A troop of Echoes whose sweet duty
Was but to sing,