CHAPTER VI THE GRASS COVERS AND THE RAIN EFFACES





In the cemetery of Pere-Lachaise, in the vicinity of the common grave, far from the elegant quarter of that city of sepulchres, far from all the tombs of fancy which display in the presence of eternity all the hideous fashions of death, in a deserted corner, beside an old wall, beneath a great yew tree over which climbs the wild convolvulus, amid dandelions and mosses, there lies a stone. That stone is no more exempt than others from the leprosy of time, of dampness, of the lichens and from the defilement of the birds. The water turns it green, the air blackens it. It is not near any path, and people are not fond of walking in that direction, because the grass is high and their feet are immediately wet. When there is a little sunshine, the lizards come thither. All around there is a quivering of weeds. In the spring, linnets warble in the trees.



This stone is perfectly plain. In cutting it the only thought was the requirements of the tomb, and no other care was taken than to make the stone long enough and narrow enough to cover a man.



No name is to be read there.



Only, many years ago, a hand wrote upon it in pencil these four lines, which have become gradually illegible beneath the rain and the dust, and which are, to-day, probably effaced:



Il dort. Quoique le sort fut pour lui bien etrange, Il vivait. Il mourut quand il n'eut plus son ange. La chose simplement d'elle-meme arriva, Comme la nuit se fait lorsque le jour s'en va.[70]



[70] He sleeps. Although his fate was very strange, he lived. He died when he had no longer his angel. The thing came to pass simply, of itself, as the night comes when day is gone.



LETTER TO M. DAELLI



Publisher of the Italian translation of Les Miserables in Milan.



HAUTEVILLE-HOUSE, October 18, 1862.



You are right, sir, when you tell me that Les Miserables is written for all nations. I do not know whether it will be read by all, but I wrote it for all. It is addressed to England as well as to Spain, to Italy as well as to France, to Germany as well as to Ireland, to Republics which have slaves as well as to Empires which have serfs. Social problems overstep frontiers. The sores of the human race, those great sores which cover the globe, do not halt at the red or blue lines traced upon the map. In every place where man is ignorant and despairing, in every place where woman is sold for bread, wherever the child suffers for lack of the book which should instruct him and of the hearth which should warm him, the book of Les Miserables knocks at the door and says: "Open to me, I come for you."



At the hour of civilization through which we are now passing, and which is still so sombre, the miserable's name is Man; he is agonizing in all climes, and he is groaning in all languages.



Your Italy is no more exempt from the evil than is our France. Your admirable Italy has all miseries on the face of it. Does not banditism, that raging form of pauperism, inhabit your mountains? Few nations are more deeply eaten by that ulcer of convents which I have endeavored to fathom. In spite of your possessing Rome, Milan, Naples, Palermo, Turin, Florence, Sienna, Pisa, Mantua, Bologna, Ferrara, Genoa, Venice, a heroic history, sublime ruins, magnificent ruins, and superb cities, you are, like ourselves, poor. You are covered with marvels and vermin. Assuredly, the sun of Italy is splendid, but, alas, azure in the sky does not prevent rags on man.



Like us, you have prejudices, superstitions, tyrannies, fanaticisms, blind laws lending assistance to ignorant customs. You taste nothing of the present nor of the future without a flavor of the past being mingled with it. You have a barbarian, the monk, and a savage, the lazzarone. The social question is the same for you as for us. There are a few less deaths from hunger with you, and a few more from fever; your social hygiene is not much better than ours; shadows, which are Protestant in England, are Catholic in Italy; but, under different names, the vescovo is identical with the bishop, and it always means night, and of pretty nearly the same quality. To explain the Bible badly amounts to the same thing as to understand the Gospel badly.



Is it necessary to emphasize this? Must this melancholy parallelism be yet more completely verified? Have you not indigent persons? Glance below. Have you not parasites? Glance up. Does not that hideous balance, whose two scales, pauperism and parasitism, so mournfully preserve their mutualequilibrium, oscillate before you as it does before us? Where is your army of schoolmasters, the only army which civilization acknowledges?



Where are your free and compulsory schools? Does every one know how to read in the land of Dante and of Michael Angelo? Have you made public schools of your barracks? Have you not, like ourselves, an opulent war-budget and a paltry budget of education? Have not you also that passive obedience which is so easily converted into soldierly obedience? Military establishment which pushes the regulations to the extreme of firing upon Garibaldi; that is to say, upon the living honor of Italy? Let us subject your social order to examination, let us take it where it stands and as it stands, let us view its flagrant offences, show me the woman and the child. It is by the amount of protection with which these two feeble creatures are surrounded that the degree of civilization is to be measured. Is prostitution less heartrending in Naples than in Paris? What is the amount of truth that springs from your laws, and what amount of justice springs from your tribunals? Do you chance to be so fortunate as to be ignorant of the meaning of those gloomy words: public prosecution, legal infamy, prison, the scaffold, the executioner, the death penalty? Italians, with you as with us, Beccaria is dead and Farinace is alive. And then, let us scrutinize your state reasons. Have you a government which comprehends the identity of morality and politics? You have reached the point where you grant amnesty to heroes! Something very similar has been done in France. Stay, let us pass miseries in review, let each one contribute his pile, you are as rich as we. Have you not, like ourselves, two condemnations, religious condemnationpronounced by the priest, and social condemnation decreed by the judge? Oh, great nation of Italy, thou resemblest the great nation of France! Alas! Our brothers, you are, like ourselves, Miserables.



From the depths of the gloom wherein you dwell, you do not see much more distinctly than we the radiant and distant portals of Eden. Only, the priests are mistaken. These holy portals are before and not behind us.



I resume. This book, Les Miserables, is no less your mirror than ours. Certain men, certain castes, rise in revolt against this book,-- I understand that. Mirrors, those revealers of the truth, are hated; that does not prevent them from being of use.



As for myself, I have written for all, with a profound love for my own country, but without being engrossed by France more than by any other nation. In proportion as I advance in life, I grow more simple, and I become more and more patriotic for humanity.



This is, moreover, the tendency of our age, and the law of radiance of the French Revolution; books must cease to be exclusively French, Italian, German, Spanish, or English, and become European, I say more, human, if they are to correspond to the enlargement of civilization.



Hence a new logic of art, and of certain requirements of composition which modify everything, even the conditions, formerly narrow, of taste and language, which must grow broader like all the rest.



In France, certain critics have reproached me, to my great delight, with having transgressed the bounds of what they call "French taste"; I should be glad if this eulogium were merited.



In short, I am doing what I can, I suffer with the same universal suffering, and I try to assuage it, I possess only the puny forces of a man, and I cry to all: "Help me!"



This, sir, is what your letter prompts me to say; I say it for you and for your country. If I have insisted so strongly, it is because of one phrase in your letter. You write:--



"There are Italians, and they are numerous, who say: `This book, Les Miserables, is a French book. It does not concern us. Let the French read it as a history, we read it as a romance.'"--Alas! I repeat, whether we be Italians or Frenchmen, misery concerns us all. Ever since history has been written, ever since philosophy has meditated, misery has been the garment of the human race; the moment has at length arrived for tearing off that rag, and for replacing, upon the naked limbs of the Man-People, the sinister fragment of the past with the grand purple robe of the dawn.



If this letter seems to you of service in enlightening some minds and in dissipating some prejudices, you are at liberty to publish it, sir. Accept, I pray you, a renewed assurance of my very distinguished sentiments.





六　荒草隐蔽，雨露冲洗



英 文





在拉雪兹神甫公墓里，靠近普通墓穴的旁边，远离这墓园中幽雅的地区，远离那些希奇古怪的在永恒面前还要展示死后时兴式样的丑墓，就在一个荒僻的角落里，靠着一堵旧墙，在一棵爬着牵牛花的大水杉下面，在茅草和青苔之中，有一块石板，这块石板和别的石板一样，日子一久也剥落得斑斑点点，发了霉，长着苔藓，堆着鸟粪。雨水使它发绿，空气使它变黑。它不在任何路旁，人们不爱到这边来，因为野草太高，使脚立刻浸湿。当少许太阳露面时，壁虎会出现，四周还有野燕麦围着沙沙作响，春天红雀在树上欢唱。



这块石板是光秃秃的，凿石的人只想到这是筑墓石所需，除了使它够长够宽能盖住一个人之外，就没有考虑过其他方面。



上面没有名字。



但是多年前，有只手用铅笔在上面写了四句诗，在雨露和尘土的洗刷下已慢慢地看不清楚了，而今天大概已经消失了：



他安息了。尽管命运多舛，



他仍偷生。失去了他的天使他就丧生；



事情是自然而然地发生，
关键字:Les Miserables,悲惨世界Volume 5 Jean Valjean
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