The Illustrious Gaudissart
by Honore de Balzac
Translated by Katharine Prescott Wormeley
DEDICATION
To Madame la Duchesse de Castries.
THE ILLUSTRIOUS GAUDISSART
CHAPTER I
The
commercial traveller, a
personage unknown to
antiquity, is one of
the
striking figures created by the manners and customs of our present
epoch. May he not, in some
conceivable order of things, be destined to
mark for coming philosophers the great
transition which welds a period
of material
enterprise to the period of
intellectual strength? Our
century will bind the realm of isolated power, abounding as it does in
creative
genius, to the realm of
universal but levelling might;
equalizing all products, spreading them
broadcast among the masses,
and being itself controlled by the principle of unity,--the final
expression of all societies. Do we not find the dead level of
barbarism succeeding the saturnalia of popular thought and the last
struggles of those
civilizations which accumulated the treasures of
the world in one direction?
The
commercial traveller! Is he not to the realm of ideas what our
stage-coaches are to men and things? He is their
vehicle; he sets them
going, carries them along, rubs them up with one another. He takes
from the
luminous centre a
handful of light, and scatters it
broadcastamong the
drowsy populations of the duller regions. This human
pyrotechnic is a
scholar without
learning, a juggler hoaxed by
himself, an unbelieving
priest of mysteries and dogmas, which he
expounds all the better for his want of faith. Curious being! He has
seen everything, known everything, and is up in all the ways of the
world. Soaked in the vices of Paris, he affects to be the fellow-well-
met of the provinces. He is the link which connects the village with
the capital; though
essentially he is neither Parisian nor provincial,
--he is a traveller. He sees nothing to the core: men and places he
knows by their names; as for things, he looks merely at their surface,
and he has his own little tape-line with which to
measure them. His
glance shoots over all things and penetrates none. He occupies himself
with a great deal, yet nothing occupies him.
Jester and jolly fellow, he keeps on good terms with all political
opinions, and is
patriotic to the bottom of his soul. A capital mimic,
he knows how to put on, turn and turn about, the smiles of persuasion,
satisfaction, and good-nature, or drop them for the
normal expression
of his natural man. He is compelled to be an
observer of a certain
sort in the interests of his trade. He must probe men with a glance
and guess their habits, wants, and above all their solvency. To
economize time he must come to quick decisions as to his chances of
success,--a practice that makes him more or less a man of judgment; on
the strength of which he sets up as a judge of theatres, and
discourses about those of Paris and the provinces.
He knows all the good and bad haunts in France, "de actu et visu." He
can pilot you, on occasion, to vice or
virtue with equal assurance.
Blest with the
eloquence of a hot-water spigot turned on at will, he
can check or let run, without floundering, the
collection of
phrases
which he keeps on tap, and which produce upon his
victims the effect
of a moral shower-bath. Loquacious as a
cricket, he smokes, drinks,
wears a profusion of trinkets, overawes the common people, passes for
a lord in the villages, and never permits himself to be "stumped,"--a
slang expression all his own. He knows how to slap his pockets at the
right time, and make his money
jingle if he thinks the servants of the
second-class houses which he wants to enter (always eminently
suspicious) are likely to take him for a thief. Activity is not the
least
surprising quality of this human machine. Not the hawk swooping
upon its prey, not the stag doubling before the
huntsman and the
hounds, nor the hounds themselves catching scent of the game, can be
compared with him for the
rapidity of his dart when he spies a
"commission," for the agility with which he trips up a rival and gets
ahead of him, for the keenness of his scent as he noses a
customer and
discovers the sport where he can get off his wares.
How many great qualities must such a man possess! You will find in all
countries many such diplomats of low degree;
consummate negotiators
arguing in the interests of
calico, jewels, frippery, wines; and often
displaying more true
diplomacy than ambassadors themselves, who, for
the most part, know only the forms of it. No one in France can doubt
the powers of the
commercial traveller; that intrepid soul who dares
all, and
boldly brings the
genius of
civilization and the modern
inventions of Paris into a struggle with the plain commonsense of
remote villages, and the
ignorant and boorish treadmill of provincial
ways. Can we ever forget the skilful manoeuvres by which he worms
himself into the minds of the
populace, bringing a
volume of words to
bear upon the refractory, reminding us of the indefatigable
worker in
marbles whose file eats slowly into a block of porphyry? Would you
seek to know the
utmost power of language, or the strongest pressure
that a
phrase can bring to bear against
rebellious lucre, against the
miserly
proprietor squatting in the recesses of his country lair?--
listen to one of these great ambassadors of Parisian industry as he
revolves and works and sucks like an
intelligentpiston of the steam-
engine called Speculation.
"Monsieur," said a wise political
economist, the director-cashier-
manager and secretary-general of a
celebrated fire-insurance company,
"out of every five hundred thousand francs of policies to be renewed
in the provinces, not more than fifty thousand are paid up
voluntarily. The other four hundred and fifty thousand are got in by
the activity of our agents, who go about among those who are in
arrears and worry them with stories of
horrible incendiaries until
they are
driven to sign the new policies. Thus you see that
eloquence,
the
labial flux, is nine tenths of the ways and means of our
business."
To talk, to make people listen to you,--that is seduction in itself. A
nation that has two Chambers, a woman who lends both ears, are soon
lost. Eve and her
serpent are the
everlasting myth of an hourly fact
which began, and may end, with the world itself.
"A conversation of two hours ought to
capture your man," said a
retired lawyer.
Let us walk round the
commercial traveller, and look at him well.
Don't forget his
overcoat, olive green, nor his cloak with its morocco
collar, nor the
striped blue cotton shirt. In this queer figure--so
original that we cannot rub it out--how many
divers personalities we
come across! In the first place, what an acrobat, what a
circus, what
a
battery, all in one, is the man himself, his
vocation, and his
tongue! Intrepid
mariner, he plunges in, armed with a few
phrases, to
catch five or six thousand francs in the
frozen seas, in the
domain of
the red Indians who
inhabit the
interior of France. The provincial
fish will not rise to harpoons and torches; it can only be taken with
seines and nets and gentlest persuasions. The traveller's business is
to
extract the gold in country caches by a
purelyintellectualoperation, and to
extract it
pleasantly and without pain. Can you
think without a
shudder of the flood of
phrases which, day by day,
renewed each dawn, leaps in cascades the length and
breadth of sunny
France?
You know the
species; let us now take a look at the individual.
There lives in Paris an
incomparablecommercial traveller, the paragon
of his race, a man who possesses in the highest degree all the
qualifications necessary to the nature of his success. His speech is
vitriol and
likewise glue,--glue to catch and
entangle his
victim and
make him
sticky and easy to grip; vitriol to
dissolve hard heads,
close fists, and closer calculations. His line was once the HAT; but
his talents and the art with which he snared the wariest provincial
had brought him such
commercialcelebrity that all vendors of the
"article Paris"[*] paid court to him, and
humbly begged that he would
deign to take their commissions.
[*] "Article Paris" means anything--especially articles of wearing
apparel--which originates or is made in Paris. The name is
supposed to give to the thing a special value in the provinces.
Thus, when he returned to Paris in the intervals of his triumphant
progress through France, he lived a life of
perpetualfestivity in the
shape of weddings and suppers. When he was in the provinces, the
correspondents in the smaller towns made much of him; in Paris, the
great houses feted and caressed him. Welcomed, flattered, and fed
wherever he went, it came to pass that to breakfast or to dine alone
was a
novelty, an event. He lived the life of a
sovereign, or, better
still, of a journalist; in fact, he was the perambulating "feuilleton"
of Parisian
commerce.