and he resumed:
"How is he to be restrained? Already I am obliged to make him
promises, and I have come to Carthage only to buy him a
dagger with a
silver handle and pearls all around it." Then he told how, having
perceived the Suffet on the
terrace, he had passed himself off on the
warders of the harbour as one of Salammbo's women, so as to make his
way in to him.
Hamilcar remained for a long time
apparently lost in
deliberation; at
last he said:
"To-morrow you will present yourself at
sunset behind the
purplefactories in Megara, and
imitate a jackal's cry three times. If you do
not see me, you will return to Carthage on the first day of every
moon. Forget nothing! Love him! You may speak to him now about
Hamilcar."
The slave resumed his
costume, and they left the house and the harbour
together.
Hamilcar went on his way alone on foot and without an
escort, for the
meetings of the Ancients were, under
extraordinary circumstances,
always secret, and were resorted to mysteriously.
At first he went along the
western front of the Acropolis, and then
passed through the Green Market, the galleries of Kinisdo, and the
Perfumers'
suburb. The scattered lights were being extinguished, the
broader streets grew still, then shadows glided through the darkness.
They followed him, others appeared, and like him they all directed
their course towards the Mappalian district.
The
temple of Moloch was built at the foot of a steep
defile in a
sinister spot. From below nothing could be seen but lofty walls rising
indefinitely like those of a
monstrous tomb. The night was
gloomy, a
greyish fog seemed to weigh upon the sea, which beat against the cliff
with a noise as of death-rattles and sobs; and the shadows gradually
vanished as if they had passed through the walls.
But as soon as the
doorway was crossed one found oneself in a vast
quadrangular court bordered by arcades. In the centre rose a mass of
architecture with eight equal faces. It was surmounted by cupolas
which thronged around a second story supporting a kind of rotunda,
from which
sprang a cone with a re-entrant curve and terminating in a
ball on the summit.
Fires were burning in cylinders of filigree-work fitted upon poles,
which men were carrying to and fro. These lights flickered in the
gusts of wind and reddened the golden combs which fastened their
plaited hair on the nape of the neck. They ran about
calling to one
another to receive the Ancients.
Here and there on the flag-stones huge lions were couched like
sphinxes, living symbols of the devouring sun. They were slumbering
with half-closed eyelids. But roused by the footsteps and voices they
rose slowly, came towards the Ancients, whom they recognised by their
dress, and rubbed themselves against their thighs, arching their backs
with sonorous yawns; the vapour of their
breath passed across the
light of the torches. The stir increased, doors closed, all the
priests fled, and the Ancients disappeared beneath the columns which
formed a deep vestibule round the
temple.
These columns were arranged in such a way that their
circular ranks,
which were contained one within another, showed the Saturnian period
with its years, the years with their months, and the months with their
days, and finally reached to the walls of the sanctuary.
Here it was that the Ancients laid aside their sticks of narwhal's-
horn,--for a law which was always observed inflicted the
punishment of
death upon any one entering the meeting with any kind of weapon.
Several wore a rent repaired with a strip of
purple at the bottom of
their
garment, to show that they had not been
economical in their
dress when
mourning for their relatives, and this
testimony to their
affliction prevented the slit from growing larger. Others had their
beards inclosed in little bags of
violet skin, and fastened to their
ears by two cords. They all accosted one another by embracing breast
to breast. They surrounded Hamilcar with congratulations; they might
have been taken for brothers meeting their brother again.
These men were generally thick-set, with curved noses like those of
the Assyrian colossi. In a few, however, the more
prominent cheek-
bone, the taller figure, and the narrower foot, betrayed an African
origin and nomad ancestors. Those who lived
continually shut up in
their counting-houses had pale faces; others showed in
theirs the
severity of the desert, and strange jewels sparkled on all the fingers
of their hands, which were burnt by unknown suns. The navigators might
be
distinguished by their rolling gait, while the men of agriculture
smelt of the wine-press, dried herbs, and the sweat of mules. These
old pirates had lands under tillage, these money-grubbers would fit
out ships, these proprietors of
cultivated lands supported slaves who
followed trades. All were
skilled in religious
discipline,
expert in
strategy,
pitiless and rich. They looked wearied of prolonged cares.
Their
flaming eyes expressed
distrust, and their habits of travelling
and lying, trafficking and commanding, gave an appearance of cunning
and
violence, a sort of
discreet and convulsive brutality to their
whole
demeanour. Further, the influence of the god cast a gloom upon
them.
They first passed through a vaulted hall which was shaped like an egg.
Seven doors,
corresponding to the seven planets, displayed seven
squares of different colours against the wall. After traversing a long
room they entered another similar hall.
A candelabrum completely covered with chiselled flowers was burning at
the far end, and each of its eight golden branches bore a wick of
byssus in a diamond chalice. It was placed upon the last of the long
steps leading to a great altar, the corners of which terminated in
horns of brass. Two
lateral staircases led to its flattened summit;
the stones of it could not be seen; it was like a mountain of heaped
cinders, and something indistinct was slowly smoking at the top of it.
Then further back, higher than the candelabrum, and much higher than
the altar, rose the Moloch, all of iron, and with gaping apertures in
his human breast. His outspread wings were stretched upon the wall,
his tapering hands reached down to the ground; three black stones
bordered by yellow circles represented three eyeballs on his brow, and
his bull's head was raised with a terrible effort as if in order to
bellow.
Ebony stools were ranged round the
apartment. Behind each of them was
a
bronze shaft resting on three claws and supporting a torch. All
these lights were reflected in the mother-of-pearl lozenges which
formed the
pavement of the hall. So lofty was the latter that the red
colour of the walls grew black as it rose towards the vaulted roof,
and the three eyes of the idol appeared far above like stars half lost
in the night.
The Ancients sat down on the ebony stools after putting the trains of
their robes over their heads. They remained
motionless with their
hands crossed inside their broad sleeves, and the mother-of-pearl
pavement seemed like a
luminous river streaming from the altar to the
door and flowing beneath their naked feet.
The four pontiffs had their places in the centre, sitting back to back
on four ivory seats which formed a cross, the high-priest of Eschmoun
in a
hyacinth robe, the high-priest of Tanith in a white linen robe,
the high-priest of Khamon in a tawny woollen robe, and the high-priest
of Moloch in a
purple robe.
Hamilcar
advanced towards the candelabrum. He walked all round it,
looking at the burning wicks; then he threw a scented powder upon
them, and
violet flames appeared at the extremities of the branches.
Then a
shrill voice rose; another replied to it, and the hundred
Ancients, the four pontiffs, and Hamilcar, who remained standing,
simultaneously intoned a hymn, and their voices--ever repeating the
same syllables and strengthening the sounds--rose, grew loud, became
terrible, and then suddenly were still.
There was a pause for some time. At last Hamilcar drew from his breast