So
sweetly tastes, being the thing I am.
ROSALIND. But for the
bloody napkin?
OLIVER. By and by.
When from the first to last, betwixt us two,
Tears our recountments had most kindly bath'd,
As how I came into that desert place-
In brief, he led me to the gentle Duke,
Who gave me fresh array and entertainment,
Committing me unto my brother's love;
Who led me
instantly unto his cave,
There stripp'd himself, and here upon his arm
The lioness had torn some flesh away,
Which all this while had bled; and now he fainted,
And cried, in fainting, upon Rosalind.
Brief, I recover'd him, bound up his wound,
And, after some small space, being strong at heart,
He sent me
hither, stranger as I am,
To tell this story, that you might excuse
His broken promise, and to give this napkin,
Dy'd in his blood, unto the
shepherd youth
That he in sport doth call his Rosalind.
[ROSALIND swoons]
CELIA. Why, how now, Ganymede! sweet Ganymede!
OLIVER. Many will swoon when they do look on blood.
CELIA. There is more in it. Cousin Ganymede!
OLIVER. Look, he recovers.
ROSALIND. I would I were at home.
CELIA. We'll lead you t
hither.
I pray you, will you take him by the arm?
OLIVER. Be of good cheer, youth. You a man!
You lack a man's heart.
ROSALIND. I do so, I
confess it. Ah, sirrah, a body would think
this was well
counterfeited. I pray you tell your brother how
well I
counterfeited. Heigh-ho!
OLIVER. This was not
counterfeit; there is too great
testimony in
your
complexion that it was a
passion of earnest.
ROSALIND. Counterfeit, I assure you.
OLIVER. Well then, take a good heart and
counterfeit to be a man.
ROSALIND. So I do; but, i' faith, I should have been a woman by
right.
CELIA. Come, you look paler and paler; pray you draw homewards.
Good sir, go with us.
OLIVER. That will I, for I must bear answer back
How you excuse my brother, Rosalind.
ROSALIND. I shall
devise something; but, I pray you,
commend my
counterfeiting to him. Will you go? Exeunt
ACT V. SCENE I.
The forest
Enter TOUCHSTONE and AUDREY
TOUCHSTONE. We shall find a time, Audrey;
patience, gentle Audrey.
AUDREY. Faith, the
priest was good enough, for all the old
gentleman's
saying.
TOUCHSTONE. A most
wicked Sir Oliver, Audrey, a most vile Martext.
But, Audrey, there is a youth here in the forest lays claim to
you.
AUDREY. Ay, I know who 'tis; he hath no interest in me in the
world; here comes the man you mean.
Enter WILLIAM
TOUCHSTONE. It is meat and drink to me to see a clown. By my troth,
we that have good wits have much to answer for: we shall be
flouting; we cannot hold.
WILLIAM. Good ev'n, Audrey.
AUDREY. God ye good ev'n, William.
WILLIAM. And good ev'n to you, sir.
TOUCHSTONE. Good ev'n, gentle friend. Cover thy head, cover thy
head; nay, prithee be cover'd. How old are you, friend?
WILLIAM. Five and twenty, sir.
TOUCHSTONE. A ripe age. Is thy name William?
WILLIAM. William, sir.
TOUCHSTONE. A fair name. Wast born i' th' forest here?
WILLIAM. Ay, sir, I thank God.
TOUCHSTONE. 'Thank God.' A good answer.
Art rich?
WILLIAM. Faith, sir, so so.
TOUCHSTONE. 'So so' is good, very good, very excellent good; and
yet it is not; it is but so so. Art thou wise?
WILLIAM. Ay, sir, I have a pretty wit.
TOUCHSTONE. Why, thou say'st well. I do now remember a
saying: 'The
fool doth think he is wise, but the wise man knows himself to be
a fool.' The
heathenphilosopher, when he had a desire to eat a
grape, would open his lips when he put it into his mouth; meaning
thereby that grapes were made to eat and lips to open. You do
love this maid?
WILLIAM. I do, sir.
TOUCHSTONE. Give me your hand. Art thou learned?
WILLIAM. No, sir.
TOUCHSTONE. Then learn this of me: to have is to have; for it is a
figure in
rhetoric that drink, being pour'd out of cup into a
glass, by filling the one doth empty the other; for all your
writers do consent that ipse is he; now, you are not ipse, for I
am he.
WILLIAM. Which he, sir?
TOUCHSTONE. He, sir, that must marry this woman. Therefore, you
clown,
abandon- which is in the
vulgar leave- the society- which
in the boorish is company- of this
female- which in the common is
woman- which together is:
abandon the society of this
female; or,
clown, thou perishest; or, to thy better understanding, diest;
or, to wit, I kill thee, make thee away,
translate thy life into
death, thy liberty into
bondage. I will deal in
poison with thee,
or in bastinado, or in steel; I will bandy with thee in faction;
will o'er-run thee with
policy; I will kill thee a hundred and
fifty ways;
therefore tremble and depart.
AUDREY. Do, good William.
WILLIAM. God rest you merry, sir. Exit
Enter CORIN
CORIN. Our master and
mistress seeks you; come away, away.
TOUCHSTONE. Trip, Audrey, trip, Audrey. I attend, I attend.
Exeunt
SCENE II.
The forest
Enter ORLANDO and OLIVER
ORLANDO. Is't possible that on so little
acquaintance you should
like her? that but
seeing you should love her? and
loving woo?
and, wooing, she should grant? and will you persever to enjoy
her?
OLIVER. Neither call the giddiness of it in question, the poverty
of her, the small
acquaintance, my sudden wooing, nor her sudden
consenting; but say with me, I love Aliena; say with her that she
loves me; consent with both that we may enjoy each other. It
shall be to your good; for my father's house and all the revenue
that was old Sir Rowland's will I
estate upon you, and here live
and die a
shepherd.
ORLANDO. You have my consent. Let your
wedding be to-morrow.
T
hither will I invite the Duke and all's
contented followers. Go
you and prepare Aliena; for, look you, here comes my Rosalind.
Enter ROSALIND
ROSALIND. God save you, brother.
OLIVER. And you, fair sister. Exit
ROSALIND. O, my dear Orlando, how it grieves me to see thee wear
thy heart in a scarf!
ORLANDO. It is my arm.
ROSALIND. I thought thy heart had been wounded with the claws of a
lion.
ORLANDO. Wounded it is, but with the eyes of a lady.
ROSALIND. Did your brother tell you how I
counterfeited to swoon
when he show'd me your handkercher?
ORLANDO. Ay, and greater wonders than that.
ROSALIND. O, I know where you are. Nay, 'tis true. There was never
any thing so sudden but the fight of two rams and Caesar's
thrasonical brag of 'I came, saw, and overcame.' For your brother
and my sister no sooner met but they look'd; no sooner look'd but
they lov'd; no sooner lov'd but they sigh'd; no sooner sigh'd but
they ask'd one another the reason; no sooner knew the reason but
they sought the remedy- and in these degrees have they made pair
of stairs to marriage, which they will climb incontinent, or else
be incontinent before marriage. They are in the very wrath of
love, and they will together. Clubs cannot part them.
ORLANDO. They shall be married to-morrow; and I will bid the Duke
to the
nuptial. But, O, how bitter a thing it is to look into
happiness through another man's eyes! By so much the more shall I
to-morrow be at the
height of heart-heaviness, by how much I
shall think my brother happy in having what he wishes for.
ROSALIND. Why, then, to-morrow I cannot serve your turn for
Rosalind?
ORLANDO. I can live no longer by thinking.
ROSALIND. I will weary you, then, no longer with idle talking. Know
of me then- for now I speak to some purpose- that I know you are
a gentleman of good
conceit. I speak not this that you should
bear a good opinion of my knowledge, insomuch I say I know you
are; neither do I labour for a greater
esteem than may in some
little
measure draw a
belief from you, to do yourself good, and
not to grace me. Believe then, if you please, that I can do
strange things. I have, since I was three year old, convers'd
with a
magician, most
profound in his art and yet not damnable.
If you do love Rosalind so near the heart as your
gesture cries
it out, when your brother marries Aliena shall you marry her. I
know into what straits of fortune she is
driven; and it is not
impossible to me, if it appear not
inconvenient to you, to set
her before your eyes to-morrow, human as she is, and without any
danger.
ORLANDO. Speak'st thou in sober meanings?
ROSALIND. By my life, I do; which I tender
dearly, though I say I
am a
magician. Therefore put you in your best array, bid your
friends; for if you will be married to-morrow, you shall; and to
Rosalind, if you will.
Enter SILVIUS and PHEBE
Look, here comes a lover of mine, and a lover of hers.
PHEBE. Youth, you have done me much ungentleness
To show the letter that I writ to you.
ROSALIND. I care not if I have. It is my study
To seem despiteful and ungentle to you.
You are there follow'd by a
faithfulshepherd;
Look upon him, love him; he worships you.
PHEBE. Good
shepherd, tell this youth what 'tis to love.
SILVIUS. It is to be all made of sighs and tears;
And so am I for Phebe.
PHEBE. And I for Ganymede.
ORLANDO. And I for Rosalind.
ROSALIND. And I for no woman.
SILVIUS. It is to be all made of faith and service;
And so am I for Phebe.
PHEBE. And I for Ganymede.
ORLANDO. And I for Rosalind.
ROSALIND. And I for no woman.
SILVIUS. It is to be all made of fantasy,
All made of
passion, and all made of wishes;
All
adoration, duty, and observance,
All humbleness, all
patience, and im
patience,
All
purity, all trial, all obedience;
And so am I for Phebe.
PHEBE. And so am I for Ganymede.