That can
translate the stubbornness of fortune
Into so quiet and so sweet a style.
DUKE SENIOR. Come, shall we go and kill us venison?
And yet it irks me the poor dappled fools,
Being native burghers of this desert city,
Should, in their own confines, with forked heads
Have their round haunches gor'd.
FIRST LORD. Indeed, my lord,
The
melancholy Jaques grieves at that;
And, in that kind, swears you do more usurp
Than doth your brother that hath banish'd you.
To-day my Lord of Amiens and myself
Did steal behind him as he lay along
Under an oak whose
antique root peeps out
Upon the brook that brawls along this wood!
To the which place a poor sequest'red stag,
That from the hunter's aim had ta'en a hurt,
Did come to
languish; and, indeed, my lord,
The
wretched animal heav'd forth such groans
That their
discharge did stretch his leathern coat
Almost to bursting; and the big round tears
Cours'd one another down his
innocent nose
In piteous chase; and thus the hairy fool,
Much marked of the
melancholy Jaques,
Stood on th' extremest verge of the swift brook,
Augmenting it with tears.
DUKE SENIOR. But what said Jaques?
Did he not moralize this spectacle?
FIRST LORD. O, yes, into a thousand similes.
First, for his
weeping into the
needless stream:
'Poor deer,' quoth he 'thou mak'st a testament
As worldlings do, giving thy sum of more
To that which had too much.' Then, being there alone,
Left and
abandoned of his
velvet friends:
''Tis right'; quoth he 'thus
misery doth part
The flux of company.' Anon, a
careless herd,
Full of the
pasture, jumps along by him
And never stays to greet him. 'Ay,' quoth Jaques
'Sweep on, you fat and
greasy citizens;
'Tis just the fashion. Wherefore do you look
Upon that poor and broken
bankrupt there?'
Thus most invectively he pierceth through
The body of the country, city, court,
Yea, and of this our life; swearing that we
Are mere usurpers, tyrants, and what's worse,
To
fright the animals, and to kill them up
In their assign'd and native dwelling-place.
DUKE SENIOR. And did you leave him in this contemplation?
SECOND LORD. We did, my lord,
weeping and commenting
Upon the sobbing deer.
DUKE SENIOR. Show me the place;
I love to cope him in these
sullen fits,
For then he's full of matter.
FIRST LORD. I'll bring you to him straight. Exeunt
SCENE II.
The DUKE'S palace
Enter DUKE FREDERICK, with LORDS
FREDERICK. Can it be possible that no man saw them?
It cannot be; some villains of my court
Are of consent and sufferance in this.
FIRST LORD. I cannot hear of any that did see her.
The ladies, her attendants of her chamber,
Saw her abed, and in the morning early
They found the bed untreasur'd of their mistress.
SECOND LORD. My lord, the roynish clown, at whom so oft
Your Grace was wont to laugh, is also missing.
Hisperia, the Princess' gentlewoman,
Confesses that she
secretly o'erheard
Your daughter and her cousin much commend
The parts and graces of the wrestler
That did but
lately foil the sinewy Charles;
And she believes,
wherever they are gone,
That youth is surely in their company.
FREDERICK. Send to his brother; fetch that
gallant hither.
If he be
absent, bring his brother to me;
I'll make him find him. Do this suddenly;
And let not search and
inquisition quail
To bring again these foolish runaways. Exeunt
SCENE III.
Before OLIVER'S house
Enter ORLANDO and ADAM, meeting
ORLANDO. Who's there?
ADAM. What, my young master? O my gentle master!
O my sweet master! O you memory
Of old Sir Rowland! Why, what make you here?
Why are you
virtuous? Why do people love you?
And
wherefore are you gentle, strong, and valiant?
Why would you be so fond to overcome
The bonny prizer of the
humorous Duke?
Your praise is come too
swiftly home before you.
Know you not, master, to some kind of men
Their graces serve them but as enemies?
No more do yours. Your virtues, gentle master,
Are sanctified and holy traitors to you.
O, what a world is this, when what is comely
Envenoms him that bears it!
ORLANDO. Why, what's the matter?
ADAM. O
unhappy youth!
Come not within these doors; within this roof
The enemy of all your graces lives.
Your brother- no, no brother; yet the son-
Yet not the son; I will not call him son
Of him I was about to call his father-
Hath heard your praises; and this night he means
To burn the
lodging where you use to lie,
And you within it. If he fail of that,
He will have other means to cut you off;
I overheard him and his practices.
This is no place; this house is but a butchery;
Abhor it, fear it, do not enter it.
ORLANDO. Why, whither, Adam, wouldst thou have me go?
ADAM. No matter whither, so you come not here.
ORLANDO. What, wouldst thou have me go and beg my food,
Or with a base and boist'rous sword enforce
A thievish living on the common road?
This I must do, or know not what to do;
Yet this I will not do, do how I can.
I rather will subject me to the malice
Of a diverted blood and
bloody brother.
ADAM. But do not so. I have five hundred crowns,
The
thrifty hire I sav'd under your father,
Which I did store to be my foster-nurse,
When service should in my old limbs lie lame,
And unregarded age in corners thrown.
Take that, and He that doth the ravens feed,
Yea, providently caters for the sparrow,
Be comfort to my age! Here is the gold;
All this I give you. Let me be your servant;
Though I look old, yet I am strong and lusty;
For in my youth I never did apply
Hot and
rebellious liquors in my blood,
Nor did not with unbashful
forehead woo
The means of
weakness and debility;
Therefore my age is as a lusty winter,
Frosty, but kindly. Let me go with you;
I'll do the service of a younger man
In all your business and necessities.
ORLANDO. O good old man, how well in thee appears
The
constant service of the
antique world,
When service sweat for duty, not for meed!
Thou art not for the fashion of these times,
Where none will sweat but for promotion,
And having that do choke their service up
Even with the having; it is not so with thee.
But, poor old man, thou prun'st a
rotten tree
That cannot so much as a
blossom yield
In lieu of all thy pains and husbandry.
But come thy ways, we'll go along together,
And ere we have thy
youthful wages spent
We'll light upon some settled low content.
ADAM. Master, go on; and I will follow the
To the last gasp, with truth and loyalty.
From seventeen years till now almost four-score
Here lived I, but now live here no more.
At seventeen years many their fortunes seek,
But at
fourscore it is too late a week;
Yet fortune cannot
recompense me better
Than to die well and not my master's
debtor. Exeunt
SCENE IV.
The Forest of Arden
Enter ROSALIND for GANYMEDE, CELIA for ALIENA,
and CLOWN alias TOUCHSTONE
ROSALIND. O Jupiter, how weary are my spirits!
TOUCHSTONE. I Care not for my spirits, if my legs were not weary.
ROSALIND. I could find in my heart to
disgrace my man's apparel,
and to cry like a woman; but I must comfort the weaker
vessel, as
doublet and hose ought to show itself
courageous to petticoat;
therefore, courage, good Aliena.
CELIA. I pray you bear with me; I cannot go no further.
TOUCHSTONE. For my part, I had rather bear with you than bear you;
yet I should bear no cross if I did bear you; for I think you
have no money in your purse.
ROSALIND. Well,. this is the Forest of Arden.
TOUCHSTONE. Ay, now am I in Arden; the more fool I; when I was at
home I was in a better place; but travellers must be content.
Enter CORIN and SILVIUS
ROSALIND. Ay, be so, good Touchstone. Look you, who comes here, a
young man and an old in
solemn talk.
CORIN. That is the way to make her scorn you still.
SILVIUS. O Corin, that thou knew'st how I do love her!
CORIN. I
partly guess; for I have lov'd ere now.
SILVIUS. No, Corin, being old, thou canst not guess,
Though in thy youth thou wast as true a lover
As ever sigh'd upon a
midnight pillow.
But if thy love were ever like to mine,
As sure I think did never man love so,
How many actions most ridiculous
Hast thou been drawn to by thy fantasy?
CORIN. Into a thousand that I have forgotten.
SILVIUS. O, thou didst then never love so heartily!
If thou rememb'rest not the slightest folly
That ever love did make thee run into,
Thou hast not lov'd;
Or if thou hast not sat as I do now,
Wearing thy
hearer in thy mistress' praise,
Thou hast not lov'd;
Or if thou hast not broke from company
Abruptly, as my
passion now makes me,
Thou hast not lov'd.
O Phebe, Phebe, Phebe! Exit Silvius
ROSALIND. Alas, poor shepherd! searching of thy wound,