been
perfectly well able to
recite "On Linden when the sun was
low," but one felt certain that nothing ever induced her to do so.
The elder aunt, Mrs. Goldbrook, did not share her sister's
character as a human rest-cure; most people found her rather
disturbing,
chiefly, perhaps, from her habit of asking unimportant
questions with
enormoussolemnity. Her manner of enquiring after a
trifling
ailment gave one the
impression that she was more
concerned with the fortunes of the
malady than with oneself, and
when one got rid of a cold one felt that she almost expected to be
given its
postal address. Probably her manner was merely the
defensive outwork of an innate shyness, but she was not a woman who
commanded confidences.
"A telephone call for Courtenay," commented the younger of the two
women as Youghal
hurriedly flashed through the room; "the telephone
system seems to enter very largely into that young man's life."
"The telephone has robbed matrimony of most of its sting," said the
elder; "so much more
discreet than pen and ink communications which
get read by the wrong people."
Elaine's aunts were conscientiously
worldly; they were the natural
outcome of a stock that had been conscientiously straight-laced for
many generations.
Elaine had progressed to the pancake stage before Courtenay
returned.
"Sorry to be away so long," he said, "but I've arranged something
rather nice for to-night. There's rather a jolly
masquerade ball
on. I've 'phoned about getting a
costume for you and it's alright.
It will suit you
beautifully, and I've got my harlequin dress with
me. Madame Kelnicort, excellent soul, is going to chaperone you,
and she'll take you back any time you like; I'm quite unreliable
when I get into fancy dress. I shall probably keep going till some
unearthly hour of the morning."
A
masquerade ball in a strange city hardly represented Elaine's
idea of
enjoyment. Carefully to
disguise one's
identity in a
neighbourhood where one was entirely unknown seemed to her rather
meaningless. With Courtenay, of course, it was different; he
seemed to have friends and acquaintances everywhere. However, the
matter had progressed to a point which would have made a
refusal to
go seem rather ungracious. Elaine finished her pancake and began
to take a
polite interest in her
costume.
"What is your
character?" asked Madame Kelnicort that evening, as
they uncloaked,
preparatory to entering the already
crowded ball-
room.
"I believe I'm
supposed to represent Marjolaine de Montfort,
whoever she may have been," said Elaine. "Courtenay declares he
only wanted to marry me because I'm his ideal of her."
"But what a mistake to go as a
character you know nothing about.
To enjoy a
masquerade ball you ought to throw away your own self
and be the
character you represent. Now Courtenay has been
Harlequin since
half-way through dinner; I could see it dancing in
his eyes. At about six o'clock to-morrow morning he will fall
asleep and wake up a member of the British House of Parliament on
his
honeymoon, but to-night he is unrestrainedly Harlequin."
Elaine stood in the ball-room surrounded by a laughing jostling
throng of pierrots, jockeys, Dresden-china shepherdesses, Roumanian
peasant-girls and all the
lively make-believe creatures that form
the ingredients of a fancy-dress ball. As she stood watching them
she
experienced a growing feeling of
annoyance,
chiefly with
herself. She was assisting, as the French say, at one of the
gayest scenes of Europe's gayest capital, and she was
conscious of
being
absolutely unaffected by the
gaiety around her. The
costumes
were certainly interesting to look at, and the music good to listen
to, and to that
extent she was amused, but the ABANDON of the scene
made no
appeal to her. It was like watching a game of which you
did not know the rules, and in the issue of which you were not
interested. Elaine began to wonder what was the earliest moment at
which she could drag Madame Kelnicort away from the revel without
being
guilty of sheer
cruelty. Then Courtenay wriggled out of the
crush and came towards her, a
joyous laughing Courtenay, looking
younger and handsomer than she had ever seen him. She could
scarcely recognise in him to-night the rising young debater who
made embarrassing onslaughts on the Government's foreign policy
before a
crowded House of Commons. He claimed her for the dance
that was just starting, and steered her dexterously into the heart
of the waltzing crowd.
"You look more like Marjolaine than I should have thought a mortal
woman of these days could look," he declared, "only Marjolaine did
smile sometimes. You have rather the air of wondering if you'd
left out enough tea for the servants' breakfast. Don't mind my
teasing; I love you to look like that, and besides, it makes a
splendid foil to my Harlequin - my
selfishness" target="_blank" title="n.自私;不顾别人">
selfishness coming to the fore
again, you see. But you really are to go home the moment you're
bored; the excellent Kelnicort gets heaps of dances throughout the
winter, so don't mind sacrificing her."
A little later in the evening Elaine found herself
standing out a
dance with a grave young gentleman from the Russian Embassy.
"Monsieur Courtenay enjoys himself, doesn't he?" he observed, as
the
youthful-looking harlequin flashed past them, looking like some
restless gorgeous-hued dragonfly; "why is it that the good God has
given your countrymen the boon of
eternal youth? Some of your
countrywomen, too, but all of the men."
Elaine could think of many of her countrymen who were not and never
could have been
youthful, but as far as Courtenay was
concerned she
recognised the
fitness of the remark. And the
recognition carried
with it a sense of
depression. Would he always remain
youthful and
keen on
gaiety and revelling while she grew staid and retiring?
She had
thrust the
lively intractable Comus out of her mind, as by
his perverseness he had
thrust himself out of her heart, and she
had chosen the
brilliant young man of affairs as her husband. He
had
honestly let her see the
selfish side of his
character while he
was courting her, but she had been prepared to make due sacrifices
to the
selfishness" target="_blank" title="n.自私;不顾别人">
selfishness of a public man who had his
career to consider
above all other things. Would she also have to make sacrifices to
the harlequin spirit which was now revealing itself as an
undercurrent in his nature? When one has inured oneself to the
idea of a particular form of victimisation it is disconcerting to
be confronted with another. Many a man who would
patiently undergo
martyrdom for religion's sake would be
furiouslyunwilling to be a
martyr to neuralgia.
"I think that is why you English love animals so much," pursued the
young
diplomat; "you are such splendid animals yourselves. You are
lively because you want to be
lively, not because people are
looking on at you. Monsieur Courtenay is certainly an animal. I
mean it as a high compliment."
"Am I an animal?" asked Elaine.
"I was going to say you are an angel," said the Russian, in some
embarrassment, "but I do not think that would do; angels and
animals would never get on together. To get on with animals you
must have a sense of
humour, and I don't suppose angels have any
sense of
humour; you see it would be no use to them as they never
hear any jokes."
"Perhaps," said Elaine, with a tinge of
bitterness in her voice,
"perhaps I am a vegetable."
"I think you most
remind me of a picture," said the Russian.
It was not the first time Elaine had heard the simile.
"I know," she said, "the Narrow Gallery at the Louvre; attributed
to Leonardo da Vinci."
Evidently the
impression she made on people was
solely one of
externals.
Was that how Courtenay regarded her? Was that to be her function
and place in life, a painted
background, a
decorativesetting to
other people's triumphs and tragedies? Somehow to-night she had
the feeling that a general might have who brought
imposing forces
into the field and could do nothing with them. She possessed youth
and good looks,
considerablewealth, and had just made what would
be thought by most people a very
satisfactory marriage. And