Agathe on the
staircase. "I have sold my two pictures, let us start
for Berry; you have two weeks' leave of
absence."
After
writing to her
godmother to announce their
arrival, Agathe and
Joseph started the next evening for their trip to Issoudun, leaving
Philippe to his fate. The
diligence rolled through the rue d'Enfer
toward the Orleans highroad. When Agathe saw the Luxembourg, to which
Philippe had been transferred, she could not
refrain from saying,--
"If it were not for the Allies he would never be there!"
Many sons would have made an
impatientgesture and smiled with pity;
but the artist, who was alone with his mother in the coupe, caught her
in his arms and pressed her to his heart, exclaiming:--
"Oh, mother! you are a mother just as Raphael was a
painter. And you
will always be a fool of a mother!"
Madame Bridau's mind, diverted before long from her griefs by the
distractions of the journey, began to dwell on the purpose of it. She
re-read the letter of Madame Hochon, which had so stirred up the
lawyer Desroches. Struck with the words "concubine" and "slut," which
the pen of a septuagenarian as pious as she was
respectable had used
to
designate the woman now in process of getting hold of Jean-Jacques
Rouget's property, struck also with the word "imbecile"
applied to
Rouget himself, she began to ask herself how, by her presence at
Issoudun, she was to save the
inheritance. Joseph, poor disinterested
artist that he was, knew little enough about the Code, and his
mother's last remark absorbed his mind.
"Before our friend Desroches sent us off to protect our rights, he
ought to have explained to us the means of doing so," he exclaimed.
"So far as my poor head, which whirls at the thought of Philippe in
prison,--without
tobacco, perhaps, and about to appear before the
Court of Peers!--leaves me any
distinct memory," returned Agathe, "I
think young Desroches said we were to get evidence of undue influence,
in case my brother has made a will in favor of that--that--woman."
"He is good at that, Desroches is," cried the
painter. "Bah! if we can
make nothing of it I'll get him to come himself."
"Well, don't let us trouble our heads uselessly," said Agathe. "When
we get to Issoudun my
godmother will tell us what to do."
This conversation, which took place just after Madame Bridau and
Joseph changed coaches at Orleans and entered the Sologne, is
sufficient proof of the incapacity of the
painter and his mother to
play the part the inexorable Desroches had
assigned to them.
In returning to Issoudun after thirty years'
absence, Agathe was about
to find such changes in its manners and customs that it is necessary
to
sketch, in a few words, a picture of that town. Without it, the
reader would scarcely understand the
heroism displayed by Madame
Hochon in assisting her goddaughter, or the strange situation of Jean-
Jacques Rouget. Though Doctor Rouget had taught his son to regard
Agathe in the light of a stranger, it was certainly a somewhat
extraordinary thing that for thirty years a brother should have given
no signs of life to a sister. Such a silence was
evidently caused by
peculiar circumstances, and any other sister and
nephew than Agathe
and Joseph would long ago have inquired into them. There is,
moreover,
a certain
connection between the condition of the city of Issoudun and
the interests of the Bridau family, which can only be seen as the
story goes on.
CHAPTER VII
Issoudun, be it said without offence to Paris, is one of the oldest
cities in France. In spite of the
historicalassumption which makes
the
emperor Probus the Noah of the Gauls, Caesar speaks of the
excellent wine of Champ-Fort ("de Campo Forti") still one of the best
vintages of Issoudun. Rigord writes of this city in language which
leaves no doubt as to its great population and its
immense commerce.
But these testimonies both
assign a much
lesser age to the city than
its ancient
antiquity demands. In fact, the excavations lately
undertaken by a
learnedarchaeologist of the place, Monsieur Armand
Peremet, have brought to light, under the
celebrated tower of
Issoudun, a basilica of the fifth century, probably the only one in
France. This church preserves, in its very materials, the sign-manual
of an anterior
civilization; for its stones came from a Roman temple
which stood on the same site.
Issoudun,
therefore, according to the researches of this antiquary,
like other cities of France whose ancient or modern autonym ends in
"Dun" ("dunum") bears in its very name the
certificate of an
autochthonous
existence. The word "Dun," the appanage of all
dignity