to a sense of a new self. This
crisis of her life, the subject of this
Scene, would be incomprehensible without certain explanations, which
may extenuate in the eyes of women the wrong-doing of this young
countess, a happy wife, a happy mother, who seems, at first sight,
inexcusable.
Life results from the action of two opposing principles; when one of
them is
lacking the being suffers. Vandenesse, by satisfying every
need, had suppressed desire, that king of
creation, which fills an
enormous place in the moral forces. Extreme heat,
extreme sorrow,
complete happiness, are all despotic principles that reign over spaces
devoid of production; they insist on being
solitary; they
stifle all
that is not themselves. Vandenesse was not a woman, and none but women
know the art of varying happiness; hence their coquetry, refusals,
fears, quarrels, and the all-wise clever foolery with which they put
in doubt the things that seemed to be without a cloud the night
before. Men may weary by their
constancy, but women never. Vandenesse
was too
thoroughly kind by nature to worry
deliberately the woman he
loved; on the
contrary, he kept her in the bluest and least cloudy
heaven of love. The problem of
eternal beatitude is one of those whose
solution is known only to God. Here, below, the sublimest poets have
simply harassed their readers when attempting to picture
paradise.
Dante's reef was that of Vandenesse; all honor to such courage!
Felix's wife began to find
monotony in an Eden so well arranged; the
perfect happiness which the first woman found in her terrestrial
paradise gave her at length a sort of nausea of sweet things, and made
the
countess wish, like Rivarol
reading Florian, for a wolf in the
fold. Such, judging by the history of ages, appears to be the meaning
of that emblematic
serpent to which Eve listened, in all probability,
out of ennui. This deduction may seem a little venturesome to
Protestants, who take the book of Genesis more
seriously than the Jews
themselves.
The situation of Madame de Vandenesse can, however, be explained
without
recourse to Biblical images. She felt in her soul an enormous
power that was
unemployed. Her happiness gave her no
suffering; it
rolled along without care or
uneasiness; she was not afraid of losing
it; each morning it shone upon her, with the same blue sky, the same
smile, the same sweet words. That clear, still lake was unruffled by
any
breeze, even a zephyr; she would fain have seen a
ripple on its
glassy surface. Her desire had something so infantine about it that it
ought to be excused; but society is not more indulgent than the God of
Genesis. Madame de Vandenesse, having now become
intelligently clever,
was aware that such sentiments were not permissible, and she refrained
from confiding them to her "dear little husband." Her genuine
simplicity had not invented any other name for him; for one can't call
up in cold blood that
delightfully exaggerated language which love
imparts to its victims in the midst of flames.
Vandenesse, glad of this adorable reserve, kept his wife, by
deliberate calculations, in the
temperate regions of conjugal
affection. He never condescended to seek a
reward or even an
acknowledgment of the
infinite pains which he gave himself; his wife
thought his
luxury and good taste her natural right, and she felt no
gratitude for the fact that her pride and self-love had never
suffered. It was thus in everything. Kindness has its mishaps; often
it is attributed to
temperament; people are seldom
willing to
recognize it as the secret effort of a noble soul.
About this period of her life, Madame Felix de Vandenesse had
attained
to a degree of
worldly knowledge which enabled her to quit the
insignificant role of a timid, listening, and observing supernumerary,
--a part played, they say, for some time, by Giulia Grisi in the
chorus at La Scala. The young
countess now felt herself
capable of
attempting the part of prima-donna, and she did so on several
occasions. To the great
satisfaction of her husband, she began to