But this beautiful thing before him was no
vision. The
dancer was
Salome, the daughter of Herodias, who for many months her mother had
caused to be instructed in dancing, and other arts of
pleasing, with
the sole idea of bringing her to Machaerus and presenting her to the
tetrarch, so that he should fall in love with her fresh young beauty
and
feminine wiles. The plan had proved successful, it seemed; he was
evidently fascinated, and Herodias felt that at last she was sure of
retaining her power over him!
And now the
gracefuldancer appeared transported with the very
delirium of love and
passion. She danced like the priestesses of
India, like the Nubians of the cataracts, or like the Bacchantes of
Lydia. She whirled about like a flower blown by the
tempest. The
jewels in her ears sparkled, her swift
movements made the colours of
her draperies appear to run into one another. Her arms, her feet, her
clothing even, seemed to emit streams of
magnetism, that set the
spectators' blood on fire.
Suddenly the thrilling chords of a harp rang through the hall, and the
throng burst into loud acclamations. All eyes were fixed on Salome,
who paused in her
rhythmic dance, placed her feet wide apart, and
without bending the knees, suddenly swayed her lithe body
downward, so
that her chin touched the floor; and her whole audience,--the nomads,
accustomed to a life of privation and abstinence, the Roman soldiers,
expert in debaucheries, the avaricious publicans, and even the
crabbed,
elderly priests--gazed upon her with dilated nostrils.
Next she began to whirl
frantically around the table where Antipas the
tetrarch was seated. He leaned towards the flying figure, and in a
voice half choked with the voluptuous sighs of a mad desire, he
sighed: "Come to me! Come!" But she whirled on, while the music of
dulcimers swelled louder and the excited spectators roared their
applause.
The tetrarch called again, louder than before: "Come to me! Come! Thou
shalt have Capernaum, the plains of Tiberias! my citadels! yea, the
half of my kingdom!"
Again the
dancer paused; then, like a flash, she threw herself upon
the palms of her hands, while her feet rose straight up into the air.
In this bizarre pose she moved about upon the floor like a gigantic
beetle; then stood motionless.
The nape of her neck formed a right angle with her vertebrae. The full
silken skirts of pale hues that enveloped her limbs when she stood
erect, now fell to her shoulders and surrounded her face like a
rainbow. Her lips were tinted a deep
crimson, her
arched eyebrows were
black as jet, her glowing eyes had an almost terrible
radiance; and
the tiny drops of perspiration on her
forehead looked like dew upon
white marble.
She made no sound; and the burning gaze of that
multitude of men was
concentrated upon her.
A sound like the snapping of fingers came from the
gallery over the
pavilion. Instantly, with one of her
movements of bird-like swiftness,
Salome stood erect. The next moment she rapidly passed up a
flight of
steps leading to the
gallery, and coming to the front of it she leaned
over, smiled upon the tetrarch, and, with an air of almost childlike
naivete,
pronounced these words:
"I ask my lord to give me, placed upon a
charger, the head of--" She
hesitated, as if not certain of the name; then said: "The head of
Iaokanann!"
The tetrarch sank back in his chair as if stunned.
He had bound himself by his promise to her; and the people awaited his
next
movement. But the death that night of some
conspicuous man that
had been predicted to him by Phanuel,--what if, by bringing it upon
another, he could avert it from himself, thought Antipas. If Iaokanann
was in very truth the Elias so much talked of, he would have power to
protect himself; and if he were only an ordinary man, his murder was
of no importance.
Mannaeus stood beside his chair, and read his master's thoughts.
Vitellius beckoned him to his side and gave him an order for the
execution, to be transmitted to the soldiers placed on guard over the
dungeon. This
execution would be a
relief, he thought. In a few