roosting in the archways of the great entrance doors.
'I never saw the old church look so beautiful by
moonlight,'
the Countess said quietly;
speaking, not to Francis, but to herself.
'Good-bye, St. Mark's by
moonlight! I shall not see you again.'
She turned away from the church, and saw Francis listening
to her with wondering looks. 'No,' she resumed, placidly picking
up the lost thread of the conversation, 'I don't know why Miss
Lockwood is coming here, I only know that we are to meet in Venice.'
'By
previous appointment?'
'By Destiny,' she answered, with her head on her breast, and her
eyes on the ground. Francis burst out laughing. 'Or, if you like
it better,' she
instantly resumed, 'by what fools call Chance.'
Francis answered easily, out of the depths of his strong common sense.
'Chance seems to be
taking a queer way of bringing the meeting about,'
he said. 'We have all arranged to meet at the Palace Hotel.
How is it that your name is not on the Visitors' List? Destiny ought
to have brought you to the Palace Hotel too.'
She
abruptly pulled down her veil. 'Destiny may do that yet!' she said.
'The Palace Hotel?' she
repeated,
speaking once more to herself.
'The old hell, transformed into the new purgatory. The place itself!
Jesu Maria! the place itself!' She paused and laid her hand on her
companion's arm. 'Perhaps Miss Lockwood is not going there with the rest
of you?' she burst out with sudden
eagerness. 'Are you positively
sure she will be at the hotel?'
'Positively! Haven't I told you that Miss Lockwood travels with Lord
and Lady Montbarry? and don't you know that she is a member of the family?
You will have to move, Countess, to our hotel.'
She was
perfectly impenetrable to the bantering tone in which he spoke.
'Yes,' she said
faintly, 'I shall have to move to your hotel.'
Her hand was still on his arm--he could feel her shivering from head
to foot while she spoke. Heartily as he disliked and distrusted her,
the common
instinct of
humanity obliged him to ask if she
felt cold.
'Yes,' she said. 'Cold and faint.'
'Cold and faint, Countess, on such a night as this?'
'The night has nothing to do with it, Mr. Westwick. How do you suppose
the
criminal feels on the scaffold, while the hangman is putting
the rope around his neck? Cold and faint, too, I should think.
Excuse my grim fancy. You see, Destiny has got the rope round my neck--
and I feel it.'
She looked about her. They were at that moment close to the famous
cafe known as 'Florian's.' 'Take me in there,' she said;
'I must have something to
revive me. You had better not hesitate.
You are interested in reviving me. I have not said what I wanted to say
to you yet. It's business, and it's connected with your theatre.'
Wondering
inwardly what she could possibly want with his theatre,
Francis
reluctantly yielded to the necessities of the situation,
and took her into the cafe. He found a quiet corner in which they could
take their places without attracting notice. 'What will you have?'
he inquired resignedly. She gave her own orders to the
waiter,
without troubling him to speak for her.
'Maraschino. And a pot of tea.'
The
waiter stared; Francis stared. The tea was a novelty
(in
connection with maraschino) to both of them. Careless whether
she surprised them or not, she instructed the
waiter, when her
directions had been complied with, to pour a large wine-glass-full
of the liqueur into a
tumbler, and to fill it up from the teapot.
'I can't do it for myself,' she remarked, 'my hand trembles so.'
She drank the strange
mixtureeagerly, hot as it was. 'Maraschino punch--
will you taste some of it?' she said. 'I
inherit the discovery
of this drink. When your English Queen Caroline was on the Continent,
my mother was attached to her Court. That much injured Royal
Person invented, in her happier hours, maraschino punch.
Fondly attached to her
graciousmistress, my mother shared her tastes.
And I, in my turn,
learnt from my mother. Now, Mr. Westwick,
suppose I tell you what my business is. You are
manager of a theatre.
Do you want a new play?'
'I always want a new play--provided it's a good one.'
'And you pay, if it's a good one?'