Shakspeare, had the Warwickshire Squire not prosecuted him for
deer-stealing, we had perhaps never heard of him as a Poet! The woods and
skies, the
rustic Life of Man in Stratford there, had been enough for this
man! But indeed that strange outbudding of our whole English Existence,
which we call the Elizabethan Era, did not it too come as of its own
accord? The "Tree Igdrasil" buds and
withers by its own laws,--too deep
for our scanning. Yet it does bud and
wither, and every bough and leaf of
it is there, by fixed
eternal laws; not a Sir Thomas Lucy but comes at the
hour fit for him. Curious, I say, and not
sufficiently considered: how
everything does co-operate with all; not a leaf rotting on the
highway but
is indissoluble
portion of solar and stellar systems; no thought, word or
act of man but has
sprungwithal out of all men, and works sooner or later,
recognizably or irrecognizable, on all men! It is all a Tree: circulation
of sap and influences,
mutualcommunication of every minutest leaf with the
lowest talon of a root, with every other greatest and minutest
portion of
the whole. The Tree Igdrasil, that has its roots down in the Kingdoms of
Hela and Death, and whose boughs overspread the highest Heaven!--
In some sense it may be said that this
glorious Elizabethan Era with its
Shakspeare, as the
outcome and flowerage of all which had preceded it, is
itself attributable to the Catholicism of the Middle Ages. The Christian
Faith, which was the theme of Dante's Song, had produced this Practical
Life which Shakspeare was to sing. For Religion then, as it now and always
is, was the soul of Practice; the
primary vital fact in men's life. And
remark here, as rather curious, that Middle-Age Catholicism was
abolished,
so far as Acts of Parliament could
abolish it, before Shakspeare, the
noblest product of it, made his appearance. He did make his appearance
nevertheless. Nature at her own time, with Catholicism or what else might
be necessary, sent him forth;
taking small thought of Acts of Parliament.
King Henrys, Queen Elizabeths go their way; and Nature too goes hers. Acts
of Parliament, on the whole, are small,
notwithstanding the noise they
make. What Act of Parliament,
debate at St. Stephen's, on the hustings or
elsewhere, was it that brought this Shakspeare into being? No dining at
Freemason's Tavern,
opening subscription-lists, selling of shares, and
infinite other jangling and true or false endeavoring! This Elizabethan
Era, and all its nobleness and blessedness, came without proclamation,
preparation of ours. Priceless Shakspeare was the free gift of Nature;
given
altogethersilently;--received
altogethersilently, as if it had been
a thing of little
account. And yet, very
literally, it is a
pricelessthing. One should look at that side of matters too.
Of this Shakspeare of ours, perhaps the opinion one sometimes hears a
little idolatrously expressed is, in fact, the right one; I think the best
judgment not of this country only, but of Europe at large, is slowly
pointing to the
conclusion, that Shakspeare is the chief of all Poets
hitherto; the greatest
intellect who, in our recorded world, has left
record of himself in the way of Literature. On the whole, I know not such
a power of
vision, such a
faculty of thought, if we take all the characters
of it, in any other man. Such a
calmness of depth;
placidjoyous strength;
all things imaged in that great soul of his so true and clear, as in a
tranquil unfathomable sea! It has been said, that in the
constructing of
Shakspeare's Dramas there is, apart from all other "faculties" as they are
called, an understanding manifested, equal to that in Bacon's _Novum
Organum_ That is true; and it is not a truth that strikes every one. It
would become more
apparent if we tried, any of us for himself, how, out of
Shakspeare's
dramatic materials, _we_ could fashion such a result! The
built house seems all so fit,--every way as it should be, as if it came
there by its own law and the nature of things,--we forget the rude
disorderly
quarry it was shaped from. The very
perfection of the house, as
if Nature herself had made it, hides the builder's merit. Perfect, more
perfect than any other man, we may call Shakspeare in this: he discerns,
knows as by
instinct, what condition he works under, what his materials
are, what his own force and its relation to them is. It is not a
transitory glance of
insight that will
suffice; it is deliberate
illumination of the whole matter; it is a
calmly _
seeing_ eye; a great
intellect, in short. How a man, of some wide thing that he has witnessed,
will
construct a
narrative, what kind of picture and delineation he will