(London, 1883). Instructive, too, is Cummin's `Around Mull'
(`The Atlantic Monthly', 16. 11-19, 167-176, July, August, 1865).
The Marshes of Glynn
Glooms of the live-oaks, beautiful-braided and woven [1]
With
intricate shades of the vines that myriad-cloven
Clamber the forks of the multiform boughs, --
Emerald twilights, --
Virginal shy lights,
Wrought of the leaves to
allure to the
whisper of vows,
When lovers pace
timidly down through the green colonnades
Of the dim sweet woods, of the dear dark woods,
Of the
heavenly woods and glades,
That run to the
radiantmarginal sand-beach within
The wide sea-marshes of Glynn; -- [11]
Beautiful glooms, soft dusks in the noon-day fire, --
Wildwood privacies, closets of lone desire,
Chamber from
chamber parted with wavering arras of leaves, --
Cells for the
passionate pleasure of prayer to the soul that grieves,
Pure with a sense of the passing of saints through the wood,
Cool for the dutiful weighing of ill with good; --
O braided dusks of the oak and woven shades of the vine,
While the riotous noon-day sun of the June-day long did shine
Ye held me fast in your heart and I held you fast in mine;
But now when the noon is no more, and riot is rest, [21]
And the sun is a-wait at the
ponderous gate of the West,
And the slant yellow beam down the wood-aisle doth seem
Like a lane into heaven that leads from a dream, --
Ay, now, when my soul all day hath
drunken the soul of the oak,
And my heart is at ease from men, and the wearisome sound of the stroke
Of the
scythe of time and the trowel of trade is low,
And
belief overmasters doubt, and I know that I know,
And my spirit is grown to a
lordly great
compass within,
That the length and the
breadth and the sweep of the marshes of Glynn
Will work me no fear like the fear they have
wrought me of yore [31]
When length was
fatigue, and when
breadth was but
bitterness sore,
And when
terror and shrinking and
dreary unnamable pain
Drew over me out of the
merciless miles of the plain, --
Oh, now, unafraid, I am fain to face
The vast sweet
visage of space.
To the edge of the wood I am drawn, I am drawn,
Where the gray beach glimmering runs, as a belt of the dawn,
For a mete and a mark
To the forest-dark: --
So: [41]
Affable live-oak, leaning low, --
Thus -- with your favor -- soft, with a reverent hand,
(Not
lightlytouching your person, Lord of the land!)
Bending your beauty aside, with a step I stand
On the firm-packed sand,
Free
By a world of marsh that borders a world of sea.
Sinuous
southward and sinuous
northward the shimmering band
Of the sand-beach fastens the
fringe of the marsh to the folds of the land.
Inward and
outward to
northward and
southward the beach-lines
linger and curl [51]
As a silver-
wroughtgarment that clings to and follows
the firm sweet limbs of a girl.
Vanishing, swerving,
evermore curving again into sight,
Softly the sand-beach wavers away to a dim gray looping of light.
And what if behind me to
westward the wall of the woods stands high?
The world lies east: how ample, the marsh and the sea and the sky!
A
league and a
league of marsh-grass, waist-high, broad in the blade,
Green, and all of a
height, and unflecked with a light or a shade,
Stretch
leisurely off, in a pleasant plain,
To the
terminal blue of the main.
Oh, what is
abroad in the marsh and the
terminal sea? [61]
Somehow my soul seems suddenly free
From the weighing of fate and the sad
discussion of sin,
By the length and the
breadth and the sweep of the marshes of Glynn.
Ye marshes, how candid and simple and nothing-withholding and free
Ye publish yourselves to the sky and offer yourselves to the sea!