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I leapt the breadth of time in loving thee!"*5*

-- a scrap worthy to be placed beside Steele's "To love her



is a liberal education," which has often been declared

the happiest thing on the subject in the English language.



--

*1* `The Symphony', ll. 232-240.



*2* `The Symphony', ll. 241-248.

*3* `My Springs', ll. 53-56.



*4* `Acknowledgment', ll. 41-42.

*5* `Laus Mariae', ll. 11-14.



--

To Lanier there was but one thing that made life worth living,



and that was love. Even the superficial reader must be struck

with the frequent use of the term in the poet's works,



while all must be uplifted by his conception of its purpose and power.

The ills of agnosticism, mercantilism, and intolerance



all find their solution here and here only, as is admirably set forth

in `The Symphony', of which the openingstrain is, "We are all for love,"



and the closing, "Love alone can do." The matter is no less happily put

in `Tiger-lilies': "For I am quite confident that love is the only rope



thrown out by Heaven to us who have fallen overboard into life.

Love for man, love for woman, love for God, -- these three chime



like bells in a steeple and call us to worship, which is to work. . . .

Inasmuch as we love, in so much do we conquer death and flesh;



by as much as we love, by so much are we gods. For God is love;

and could we love as He does, we could be as He is."*1*



To the same effect is his statement in `The English Novel':

"A republic is the government of the spirit."*2* The same thought



recurs later: "In love, and love only, can great work

that not only pulls down, but builds, be done; it is love, and love only,



that is truly constructive in art."*3* In the poem entitled

`How Love Looked for Hell', Mind and Sense at Love's request



go to seek Hell; but ever as they point it out to Love, whether in

the material or the immaterial world, it vanishes; for where Love is



there can be no Hell, since, in the words of Tolstoi's story,

"Where Love is there is God." But in one of his poems Lanier sums up



the whole matter in a line:

"When life's all love, 'tis life: aught else, 'tis naught."*4*



--

*1* `Tiger-lilies', p. 26.



*2* `The English Novel', p. 55.

*3* `The English Novel', p. 204.



*4* `In Absence', l. 42.

--



It is but a short way from love to its source, -- God.

And, as Lanier was continually in the atmosphere of the one, so, I believe,



he was ever in the presence of the other; for the poet's "Love means God"

is but another phrasing of the evangelist's "God is love".*1*



Of Lanier's grief over church broils and of his longing for freedom

to worship God according to one's own intuition, we have already learned



from his `Remonstrance'. What he thought of the Christ we learn

from `The Crystal', which closes with this invocation:



"But Thee, but Thee, O sovereign Seer of time,

But Thee, O poets' Poet, Wisdom's Tongue,



But Thee, O man's best Man, O love's best Love,

O perfect life in perfect labor writ,



O all men's Comrade, Servant, King, or Priest, --

What IF or YET, what mole, what flaw, what lapse,



What least defect or shadow of defect,

What rumor, tattled by an enemy,



Of inference loose, what lack of grace

Even in torture's grasp, or sleep's, or death's --



Oh, what amiss may I forgive in Thee,

Jesus, good Paragon, Thou Crystal Christ?"*2*



How tenderly Lanier was touched by the life of our Lord may be seen

in his `Ballad of Trees and the Master', a dramaticpresentation of the scene



in Gethsemane and on Calvary. How implicit was his trust in the Christ

may be gathered from this paragraph in a letter to the elder Hayne:



"I have a boy whose eyes are blue as your `Aethra's'. Every day

when my work is done I take him in my strong arms, and lift him up,



and pore in his face. The intenserepose, penetrated somehow

with a thrilling mystery of `potential activity', which dwells



in his large, open eye, teaches me new things. I say to myself,




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