I leapt the
breadth of time in
loving thee!"*5*
-- a scrap
worthy to be placed beside Steele's "To love her
is a
liberal education," which has often been declared
the happiest thing on the subject in the English language.
--
*1* `The Symphony', ll. 232-240.
*2* `The Symphony', ll. 241-248.
*3* `My Springs', ll. 53-56.
*4* `Acknowledgment', ll. 41-42.
*5* `Laus Mariae', ll. 11-14.
--
To Lanier there was but one thing that made life worth living,
and that was love. Even the
superficial reader must be struck
with the
frequent use of the term in the poet's works,
while all must be uplifted by his
conception of its purpose and power.
The ills of agnosticism, mercantilism, and intolerance
all find their
solution here and here only, as is
admirably set forth
in `The Symphony', of which the
openingstrain is, "We are all for love,"
and the closing, "Love alone can do." The matter is no less happily put
in `Tiger-lilies': "For I am quite
confident that love is the only rope
thrown out by Heaven to us who have fallen
overboard into life.
Love for man, love for woman, love for God, -- these three chime
like bells in a
steeple and call us to
worship, which is to work. . . .
Inasmuch as we love, in so much do we
conquer death and flesh;
by as much as we love, by so much are we gods. For God is love;
and could we love as He does, we could be as He is."*1*
To the same effect is his statement in `The English Novel':
"A
republic is the government of the spirit."*2* The same thought
recurs later: "In love, and love only, can great work
that not only pulls down, but builds, be done; it is love, and love only,
that is truly
constructive in art."*3* In the poem entitled
`How Love Looked for Hell', Mind and Sense at Love's request
go to seek Hell; but ever as they point it out to Love, whether in
the material or the immaterial world, it vanishes; for where Love is
there can be no Hell, since, in the words of Tolstoi's story,
"Where Love is there is God." But in one of his poems Lanier sums up
the whole matter in a line:
"When life's all love, 'tis life: aught else, 'tis naught."*4*
--
*1* `Tiger-lilies', p. 26.
*2* `The English Novel', p. 55.
*3* `The English Novel', p. 204.
*4* `In Absence', l. 42.
--
It is but a short way from love to its source, -- God.
And, as Lanier was
continually in the
atmosphere of the one, so, I believe,
he was ever in the presence of the other; for the poet's "Love means God"
is but another phrasing of the evangelist's "God is love".*1*
Of Lanier's grief over church broils and of his
longing for freedom
to
worship God according to one's own intuition, we have already learned
from his `Remonstrance'. What he thought of the Christ we learn
from `The Crystal', which closes with this invocation:
"But Thee, but Thee, O
sovereign Seer of time,
But Thee, O poets' Poet, Wisdom's Tongue,
But Thee, O man's best Man, O love's best Love,
O perfect life in perfect labor writ,
O all men's Comrade, Servant, King, or Priest, --
What IF or YET, what mole, what flaw, what lapse,
What least
defect or shadow of
defect,
What rumor, tattled by an enemy,
Of
inference loose, what lack of grace
Even in torture's grasp, or sleep's, or death's --
Oh, what amiss may I
forgive in Thee,
Jesus, good Paragon, Thou Crystal Christ?"*2*
How
tenderly Lanier was touched by the life of our Lord may be seen
in his `Ballad of Trees and the Master', a
dramaticpresentation of the scene
in Gethsemane and on Calvary. How implicit was his trust in the Christ
may be gathered from this
paragraph in a letter to the elder Hayne:
"I have a boy whose eyes are blue as your `Aethra's'. Every day
when my work is done I take him in my strong arms, and lift him up,
and pore in his face. The
intenserepose, penetrated somehow
with a thrilling
mystery of `potential activity', which dwells
in his large, open eye, teaches me new things. I say to myself,