The
hamlet stands on a green hill-side, a little below the entrance
to the
valley of the Meggat. It consists of the kirk, the minister's
manse, the
parish-school, and a few cottages, every
occupant of
which was known to Telford. It is backed by the
purple moors,
up which he loved to
wander in his
leisure hours and read the poems
of Fergusson and Burns. The river Esk gurgles along its rocky bed
in the bottom of the dale, separated from the kirkyard by a steep
bank, covered with natural wood; while near at hand, behind the
manse, stretch the fine woods of Wester Hall, where Telford was
often wont to roam.
[Image] Valley of Eskdale, Westerkirk in the distance.
We can scarcely
therefore wonder that,
amidst such pastoral
scenery, and
reading such books as he did, the
poeticfaculty of
the country mason should have become so
decidedly developed.
It was while
working at Westerkirk manse that he sketched the first
draft of his descriptive poem entitled 'Eskdale,' which was published
in the 'Poetical Museum' in 1784.*[2] These early
poetical efforts
were at least useful in stimulating his self-education. For the
practice of
poetical
composition, while it cultivates the
sentiment of beauty in thought and feeling, is probably the best of
all exercises in the art of
writingcorrectly, grammatically,
and expressively. By
drawing a man out of his ordinary
calling, too,
it often furnishes him with a power of happy thinking which may in
after life become a source of the purest pleasure; and this, we
believe, proved to be the case with Telford, even though he ceased
in later years to
pursue the special
cultivation of the art.
Shortly after, when work became slack in the district, Telford
undertook to do small jobs on his own
account such as the hewing of
grave-stones and
ornamental doorheads. He prided himself especially
upon his hewing, and from the specimens of his
workmanship which
are still to be seen in the churchyards of Langholm and Westerkirk,
he had
evidently attained
considerable skill. On some of these
pieces of
masonry the year is carved--1779, or 1780. One of the
most
ornamental is that set into the wall of Westerkirk church,
being a
monumental slab, with an
inscription and moulding,
surmounted by a coat of arms, to the memory of James Pasley of Craig.
He had now
learnt all that his native
valley could teach him of the
art of
masonry; and, bent upon self-improvement and gaining a
larger experience of life, as well as knowledge of his trade, he
determined to seek
employmentelsewhere. He
accordingly left
Eskdale for the first time, in 1780, and sought work in Edinburgh,
where the New Town was then in course of
erection on the elevated
land,
formerly green fields, extending along the north bank of the
"Nor' Loch." A
bridge had been thrown across the Loch in 1769,
the
stagnant pond or marsh in the hollow had been filled up,
and Princes Street was rising as if by magic. Skilled masons were
in great demand for the purpose of carrying out these and the numerous
other
architectural improvements which were in progress, and
Telford had no difficulty in obtaining
employment.
Our stone-mason remained at Edinburgh for about two years, during
which he had the
advantage of
taking part in first-rate work and
maintaining himself
comfortably, while he
devoted much of his spare
time to
drawing, in its
application to
architecture. He took the
opportunity of visiting and carefully studying the fine specimens
of ancient work at Holyrood House and Chapel, the Castle, Heriot's
Hospital, and the numerous curious illustrations of middle age
domesticarchitecture with which the Old Town abounds. He also made
several journeys to the beautiful old
chapel of Rosslyn, situated
some miles to the south of Edinburgh, making careful
drawings of
the more important parts of that building.
When he had thus improved himself, "and
studied all that was to be
seen in Edinburgh, in returning to the
western border," he says,
"I visited the
justlycelebrated Abbey of Melrose." There he was
charmed by the
delicate and perfect
workmanship still
visible even
in the ruins of that fine old Abbey; and with his folio filled with