propriety."
"Oh," said Mrs. Gregory, "no Mayrant was ever known to be gross!"
"But this particular young lady," said Mrs. Weguelin, "would not be
estranged by an
masculine irregularities and gayeties. Not many."
"How about infidelities?" I suggested. "If he should flagrantly lose his
heart to another?"
Mrs. Weguelin replied quickly. "That answers very well where hearts
are in question."
"But," said I, "since phosphates are no longer--?"
There was a pause. "It would be a new dilemma," Mrs. Gregory then said
slowly, "if she turned out to care for him, after all."
Throughout all this I was getting more and more the sense of how a total
circle of people, a well-filled, wide
circle of interested people,
surrounded and cherished John Mayrant, made itself the
setting of which
he was the jewel; I felt in it, even stronger than the
manifestation of
personal
affection (which certainly was strong enough), a collective
sense of possession in him, a clan value, a pride and a guardianship
concentrated and
jealous, as of an heir to some
princely" target="_blank" title="a.王候般的;高贵的">
princelyestate, who must
be
worthy for the sake of a
community even before he was
worthy for his
own sake. Thus he might amuse himself--it was in the code that
princely" target="_blank" title="a.王候般的;高贵的">
princelyheirs so should pour se deniaiser, as they neatly put it in Paris--thus
might he and must he fight when his
dignity was assailed; but thus might
he not marry outside certain lines prescribed, or depart from his
circle's established creeds,
divine and social, especially to hold any
position which (to borrow Mrs. Gregory's
phrase) "reflected ignominy"
upon them all. When he transgressed, their very value for him turned them
bitter against him. I know that all of us are more or less chained to our
community, which is pleased to expect us to walk its way, and mightily
displeased when we please ourselves instead by breaking the chain and
walking our own way; and I know that we are
forgiven very slowly; but I
had not dreamed what a prisoner to communal
criticism a young American
could be until I
beheld Kings Port over John Mayrant.
And to what
estate was this
prince heir? Alas, his
inheritance was all of
it the Past and none of it the Future; was the full
churchyard and the
empty wharves! He was paying dear for his
princedom! And then, there was
yet another sense of this beautiful town that I got here completely,
suddenly crystallized, though slowly
gathering ever since my
arrival: all
these old people were clustered about one young one. That was it; that
was the town's
ultimatetragic note: the old
timber of the forest dying
and the too sparse new growth appearing scantily amid the tall, fine,
venerable, decaying trunks. It had been by no razing to the ground and
sowing with salt that the city had perished; a process less
violent but
more sad had done away with it. Youth, in the wake of
commerce, had ebbed
from Kings Port, had flowed out from the silent,
mourning houses, and
sought life North and West, and
wherever else life was to be found. Into
my revery floated a
phrase from a melodious and once favorite song: O
tempo passato perche non ritorni?
And John Mayrant? Why, then, had he tarried here himself? That is a hard
saying about crabbed age and youth, but are not most of the
sayings hard
that are true? What was this young man doing in Kings Port with his
brains, and his pride, and his
energetic adolescence? If the Custom House
galled him, the whole country was open to him; why not have tried his
fortune out and away, over the hills, where the new cities lie, all full
of future and empty of past? Was it much to the credit of such a young
man to find himself at the age of twenty-three or twenty-four, sound and
lithe of limb, yet tied to the apron strings of Miss Josephine, and Miss
Eliza, and some thirty or forty other
elderlyfemale relatives?
With these thoughts I looked at the ladies and wondered how I might lead
them to answer me about John Mayrant, without asking questions which
might imply something derogatory to him or
painful to them. I could not
ever say to them a word which might mean, however
indirectly, that I
thought their beautiful, cherished town no place for a young man to go to
seed in; this cut so close to the quick of truth that
discourse must keep
wide away from it. What, then, could I ask them? As I pondered, Mrs.
Weguelin solved it for me by what she was
saying to Mrs. Gregory, of
which, in my preoccupation, I had
evidently missed a part:--
"--if he should share the family bad taste in wives."
"Eliza says she has no fear of that."
"Were I Eliza, Hugh's
performance would make me very uneasy."
"Julia, John does not
resemble Hugh."