and
cleanliness in a world that reeked of petrol, and now she set
her mare at a smart pace through a
succession of long-stretching
country lanes. She was due some time that afternoon at a garden-
party, but she rode with
determination in an opposite direction.
In the first place neither Comus or Courtenay would be at the
party, which fact seemed to remove any valid reason that could be
thought of for
inviting her attendance thereat; in the second place
about a hundred human beings would be gathered there, and human
gatherings were not her most crying need at the present moment.
Since her last
encounter with her wooers, under the cedars in her
own garden, Elaine realised that she was either very happy or
cruelly
unhappy, she could not quite determine which. She seemed
to have what she most wanted in the world lying at her feet, and
she was
dreadfullyuncertain in her more reflective moments whether
she really wanted to stretch out her hand and take it. It was all
very like some situation in an Arabian Nights tale or a story of
Pagan Hellas, and
consequently the more puzzling and disconcerting
to a girl brought up on the methodical lines of Victorian
Christianity. Her
appeal court was in
permanentsession these last
few days, but it gave no decisions, at least none that she would
listen to. And the ride on her fast light-stepping little mare,
alone and unattended, through the fresh-smelling leafy lanes into
unexplored country, seemed just what she wanted at the moment. The
mare made some small
delicatepretence of being roadshy, not the
staring dolt-like kind of nervousness that shows itself in an
irritating hanging-back as each
conspicuouswayside object presents
itself, but the nerve-flutter of an
imaginative animal that merely
results in a quick whisk of the head and a swifter bound forward.
She might have paraphrased the
mental attitude of the immortalised
Peter Bell into
A basket
underneath a tree
A yellow tiger is to me,
If it is nothing more.
The more really alarming episodes of the road, the hoot and whir of
a passing motor-car or the loud vibrating hum of a
waysidethreshing-machine, were treated with indifference.
On turning a corner out of a narrow coppice-bordered lane into a
wider road that sloped
steadilyupward in a long stretch of hill
Elaine saw, coming toward her at no great distance, a string of
yellow-painted vans, drawn for the most part by skewbald or
speckled horses. A certain rakish air about these oncoming road-
craft proclaimed them as belonging to a travelling wild-beast show,
decked out in the rich
primitivecolouring that one's taste in
childhood would have insisted on before it had been schooled in the
artistic value of dulness. It was an unlooked-for and
distinctlyunwelcome
encounter. The mare had already commenced a sixfold
scrutiny with nostrils, eyes and daintily-pricked ears; one ear
made
hurried little
backwardmovements to hear what Elaine was
saying about the
eminent niceness and respectability of the
approaching
caravan, but even Elaine felt that she would be unable
satisfactorily to explain the elephants and camels that would
certainly form part of the
procession. To turn back would seem
rather craven, and the mare might take
fright at the
manoeuvre and
try to bolt; a gate
standing ajar at the entrance to a farmyard
lane provided a
convenient way out of the difficulty.
As Elaine pushed her way through she became aware of a man
standingjust inside the lane, who made a
movement forward to open the gate
for her.
"Thank you. I'm just getting out of the way of a wild-beast show,"
she explained; "my mare is
tolerant of motors and traction-engines,
but I expect camels - hullo," she broke off, recognising the man as
an old
acquaintance, "I heard you had taken rooms in a farmhouse
somewhere. Fancy meeting you in this way."
In the not very distant days of her little-girlhood, Tom Keriway