of Hindostan, amid deserted bungalows, seething bazaars,
and riotous
barrack squares, listening to the throbbing
of tom-toms and the distant
rattle of musketry.
Jocantha went back to her house in Chelsea, which
struck her for the first time as looking dull and over-
furnished. She had a resentful
conviction that Gregory
would be uninteresting at dinner, and that the play would
be
stupid after dinner. On the whole her frame of mind
showed a marked divergence from the purring complacency
of Attab, who was again curled up in his corner of the
divan with a great peace radiating from every curve of
his body.
But then he had killed his
sparrow.
ON APPROVAL
OF all the
genuine Bohemians who strayed from time
to time into the would-be Bohemian
circle of the
Restaurant Nuremberg, Owl Street, Soho, none was more
interesting and more elusive than Gebhard Knopfschrank.
He had no friends, and though he treated all the
restaurant frequenters as
acquaintances he never seemed
to wish to carry the
acquaintanceship beyond the door
that led into Owl Street and the outer world. He dealt
with them all rather as a market woman might deal with
chance passers-by, exhibiting her wares and chattering
about the weather and the slackness of business,
occasionally about
rheumatism, but never showing a desire
to
penetrate into their daily lives or to dissect their
ambitions.
He was understood to belong to a family of peasant
farmers, somewhere in Pomerania; some two years ago,
according to all that was known of him, he had abandoned
the labours and responsibilities of swine tending and
goose rearing to try his fortune as an artist in London.
"Why London and not Paris or Munich?" he had been
asked by the curious.
Well, there was a ship that left Stolpmunde for
London twice a month, that carried few passengers, but
carried them cheaply; the railway fares to Munich or
Paris were not cheap. Thus it was that he came to select
London as the scene of his great adventure.
The question that had long and
seriously agitated
the frequenters of the Nuremberg was whether this goose-
boy migrant was really a soul-driven
genius, spreading
his wings to the light, or merely an
enterprising young
man who fancied he could paint and was pardonably anxious
to escape from the
monotony of rye bread diet and the
sandy, swine-bestrewn plains of Pomerania. There was
reasonable ground for doubt and
caution; the artistic
groups that foregathered at the little
restaurantcontained so many young women with short hair and so many
young men with long hair, who
supposed themselves to be
abnormally
gifted in the
domain of music, poetry,
painting, or stagecraft, with little or nothing to
support the supposition, that a self-announced
genius of
any sort in their midst was
inevitablysuspect. On the
other hand, there was the ever-imminent danger of
entertaining, and snubbing, an angel unawares. There had
been the
lamentable case of Sledonti, the
dramatic poet,
who had been belittled and cold-shouldered in the Owl
Street hall of judgment, and had been afterwards hailed
as a master
singer by the Grand Duke Constantine
Constantinovitch - "the most educated of the Romanoffs,"
according to Sylvia Strubble, who spoke rather as one who
knew every individual member of the Russian imperial
family; as a matter of fact, she knew a newspaper
correspondent, a young man who ate BORTSCH with the air
of having invented it. Sledonti's "Poems of Death and
Passion" were now being sold by the thousand in seven
European languages, and were about to be translated into
Syrian, a circumstance which made the discerning critics
of the Nuremberg rather shy of maturing their future
judgments too rapidly and too irrevocably.
As regards Knopfschrank's work, they did not lack
opportunity for inspecting and appraising it. However