I went back to the house, and my mother said, "What's all the commotion?" I told her that Flora had kicked down the fence and got away. "Your poor father," she said, "now he'll have to go chasing over the
countryside. Well, there isn't any use planning dinner before one." She put up the ironing board. I wanted to tell her, but thought better of it and went
upstairs and sat on my bed.
Lately I had been
trying to make my part of the room fancy, spreading the bed with old lace curtains, and fixing myself a dressing table with some leftovers of cretonne for a skirt. I planned to put up some kind of barricade between my bed and Laird's, to keep my section separate from his. In the sunlight, the lace curtains were just dusty rags. We did not sing at night any more. One night when I was singing Laird said, "You sound silly," and I went right on but the next night I did not start. There was not so much need to anyway, we were no longer afraid. We knew it was just old furniture over there, old
jumble and confusion. We did not keep to the rules. I still stayed away after Laird was asleep and told myself stories, but even in these stories something different was
happening, mysterious alterations took place. A story might start off in the old way, with a
spectacular danger, a fire or wild animals, and for a while I might rescue people; then things would change around, and instead, somebody would be rescuing me. It might be a boy from our class at school, or even Mr. Campbell, our teacher, who tickled girls under the arms. And at this point the story
concerned itself at great length with what I looked like ? how long my hair was, and what kind of dress I had on; by the time I had these details worked out the real excitement of the story was lost.
It was later than one o'clock when the truck came back. The tarpaulin was over the back, which meant there was meat in it. My mother had to heat dinner up all over again. Henry and my father had changed from their bloody
overalls into ordinary working
overalls in the barn, and they washed arms and necks and faces at the sink, and splashed water on their hair and combed it. Laird lifted his arm to show off a
streak of blood. "We shot old Flora," he said, "and cut her up in fifty pieces."
"Well I don't want to hear about it," my mother said. "And don't come to my table like that."
My father made him go was the blood off.
We sat down and my father said grace and Henry pasted his chewing gum on the end of his fork, the way he always did; when he took it off he would have us admire the pattern. We began to pass the bowls of steaming, overcooked vegetables. Laird looked across the table at me and said proudly distinctly, "Anyway it was her fault Flora got away."
"What?" my father aid.
"She could of shut the gate and she didn't. She just open' it up and Flora ran out."
"Is that right?" m father said.
Everybody at the table was looking at me. I nodded, swallowing food with great difficulty. To my shame, tears flooded my eyes.
My father made a curt sound of disgust. "What did you do that for?" I didn't answer. I put down my fork and waited to be sent from the table, still not looking up.
But this did not happen. For some time nobody said anything, then Laird said matter-of-factly, "She's crying." "Never mind," my father said. He spoke with
resignation, even good humor the words which absolved and dismissed me for good. "She's only a girl," he said I didn't protest that, even in my heart. Maybe it was true.
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