this little piece should come into your hands as it came from the
hands of the author, it being judged that you would be better
pleased to have an opportunity of observing the faintest traces
of a
genius you have long admired, than have it patched by a
different hand, by which means the marks of its true author might
have been effaced. That the success of the last written, though
first published,
volume of the author's posthumous pieces may be
attended with some
convenience to those innocents he hath left
behind, will no doubt be a
motive to
encourage its circulation
through the kingdom, which will engage every future
genius to
exert itself for your pleasure. The principles and spirit which
breathe in every line of the small
fragment begun in answer to
Lord Bolingbroke will
unquestionably be a sufficient
apology for
its
publication, although vital strength was
wanting to finish a
work so happily begun and so well designed. PREFACE THERE would
not, perhaps, be a more pleasant or
profitable study, among those
which have their
principal end in
amusement, than that of travels
or
voyages, if they were wrote as they might be and ought to be,
with a joint view to the
entertainment and information of
mankind. If the conversation of travelers be so
eagerly sought
after as it is, we may believe their books will be still more
agreeable company, as they will in general be more
instructiveand more entertaining. But when I say the conversation of
travelers is usually so
welcome, I must be understood to mean
that only of such as have had good sense enough to apply their
peregrinations to a proper use, so as to
acquire from them a real
and
valuable knowledge of men and things, both which are best
known by
comparison. If the customs and manners of men were
everywhere the same, there would be no office so dull as that of
a traveler, for the difference of hills, valleys, rivers, in
short, the various views of which we may see the face of the
earth, would
scarce afford him a pleasure
worthy of his labor;
and surely it would give him very little opportunity of
communicating any kind of
entertainment or
improvement to others.
To make a traveler an
agreeablecompanion to a man of sense, it
is necessary, not only that he should have seen much, but that he
should have overlooked much of what he hath seen. Nature is not,
any more than a great
genius, always
admirable in her
productions, and
therefore the traveler, who may be called her
commentator, should not expect to find everywhere subjects
worthyof his notice. It is certain, indeed, that one may be
guilty of
omission, as well as of the opposite
extreme; but a fault on that
side will be more easily pardoned, as it is better to be hungry
than surfeited; and to miss your
dessert at the table of a man
whose gardens
abound with the choicest fruits, than to have your
taste affronted with every sort of trash that can be picked up at
the green-stall or the wheel-barrow. If we should carry on the
analogy between the traveler and the commentator, it is
impossible to keep one's eye a moment off from the laborious
much-read doctor Zachary Gray, of whose redundant notes on
Hudibras I shall only say that it is, I am
confident, the single
book extant in which above five hundred authors are quoted, not
one of which could be found in the
collection of the late doctor Mead.
As there are few things which a traveler is to record, there are
fewer on which he is to offer his
observations: this is the
office of the reader; and it is so pleasant a one, that he seldom
chooses to have it taken from him, under the pretense of lending
him
assistance. Some occasions, indeed, there are, when proper
observations are pertinent, and others when they are necessary;
but good sense alone must point them out. I shall lay down only
one general rule; which I believe to be of
universal truth
between relator and
hearer, as it is between author and reader;
this is, that the latter never
forgive any
observation of the
former which doth not
convey some knowledge that they are
sensible they could not possibly have
attained of themselves.
But all his pains in collecting knowledge, all his judgment in
selecting, and all his art in communicating it, will not suffice,
unless he can make himself, in some degree, an
agreeable as well
as an
instructivecompanion. The highest
instruction we can
derive from the
tedious tale of a dull fellow
scarce ever pays us
for our attention. There is nothing, I think, half so
valuableas knowledge, and yet there is nothing which men will give
themselves so little trouble to
attain; unless it be, perhaps,
that lowest degree of it which is the object of
curiosity, and
which hath
therefore that active
passionconstantly employed in
its service. This, indeed, it is in the power of every traveler
to
gratify; but it is the leading principle in weak minds only.
To render his relation
agreeable to the man of sense, it is
therefore necessary that the
voyager should possess several
eminent and rare talents; so rare indeed, that it is almost
wonderful to see them ever united in the same person. And if all
these talents must concur in the relator, they are certainly in a
more
eminent degree necessary to the
writer; for here the
narration admits of higher ornaments of style, and every fact and
sentiment offers itself to the fullest and most deliberate
examination. It would appear,
therefore, I think, somewhat
strange if such
writers as these should be found
extremely
common; since nature hath been a most parsimonious distributor of
her richest talents, and hath seldom bestowed many on the same
person. But, on the other hand, why there should
scarce exist a
single
writer of this kind
worthy our regard; and,
whilst there
is no other branch of history (for this is history) which hath
not exercised the greatest pens, why this alone should be
overlooked by all men of great
genius and erudition, and
delivered up to the Goths and Vandals as their
lawful property,
is
altogether as difficult to determine. And yet that this is
the case, with some very few exceptions, is most
manifest. Of
these I shall
willingly admit Burnet and Addison; if the former
was not, perhaps, to be considered as a political essayist, and
the latter as a commentator on the classics, rather than as a
writer of travels; which last title, perhaps, they would both of
them have been least
ambitious to
affect. Indeed, if these two
and two or three more should be removed from the mass, there
would remain such a heap of dullness behind, that the appellation
of
voyage-
writer would not appear very
desirable. I am not here
unapprised that old Homer himself is by some considered as a
voyage-
writer; and, indeed, the
beginning of his Odyssey may be
urged to
countenance that opinion, which I shall not controvert.
But,
whateverspecies of
writing the Odyssey is of, it is surely
at the head of that
species, as much as the Iliad is of another;
and so far the excellent Longinus would allow, I believe, at this day.
But, in
reality, the Odyssey, the Telemachus, and all of that
kind, are to the
voyage-
writing I here intend, what
romance is to
true history, the former being the confounder and corrupter of
the latter. I am far from supposing that Homer, Hesiod, and the
other ancient poets and mythologists, had any settled design to
pervert and
confuse the records of
antiquity; but it is certain
they have effected it; and for my part I must
confess I should
have honored and loved Homer more had he written a true history
of his own times in
humble prose, than those noble poems that
have so
justly collected the praise of all ages; for, though I
read these with more
admiration and
astonishment, I still read
Herodotus, Thucydides, and Xenophon with more
amusement and more
satisfaction. The original poets were not, however, without
excuse. They found the limits of nature too straight for the
immensity of their
genius, which they had not room to exert
without extending fact by
fiction: and that especially at a time
when the manners of men were too simple to afford that variety
which they have since offered in vain to the choice of the
meanest
writers. In doing this they are again excusable for the
manner in which they have done it.
Ut speciosa dehine miracula promant.
They are not, indeed, so
properly said to turn
reality into
fiction, as
fiction into
reality. Their paintings are so bold,
their colors so strong, that everything they touch seems to exist
in the very manner they represent it; their portraits are so
just, and their landscapes so beautiful, that we
acknowledge the
strokes of nature in both, without inquiring whether Nature
herself, or her journeyman the poet, formed the first pattern of
the piece. But other
writers (I will put Pliny at their head)