this time she received me in her aunt's
forlorn parlor--I hoped she
would not think my
errand was to tell her I accepted her hand.
She certainly would have made the day before the
reflection that
I declined it.
As soon as I came into the room I saw that she had drawn this inference,
but I also saw something which had not been in my
forecast. Poor Miss
Tita's sense of her
failure had produced an
extraordinaryalteration in her,
but I had been too full of my
literary concupiscence to think of that.
Now I perceived it; I can scarcely tell how it startled me.
She stood in the middle of the room with a face of mildness bent upon me,
and her look of
forgiveness, of absolution, made her angelic.
It beautified her; she was younger; she was not a
ridiculous old woman.
This optical trick gave her a sort of phantasmagoric brightness,
and while I was still the
victim of it I heard a
whisper somewhere
in the depths of my
conscience: "Why not, after all--why not?"
It seemed to me I was ready to pay the price. Still more distinctly
however than the
whisper I heard Miss Tita's own voice. I was so struck
with the different effect she made upon me that at first I was not clearly
aware of what she was
saying; then I perceived she had bade me goodbye--
she said something about hoping I should be very happy.
"Goodbye--goodbye?" I
repeated with an inflection interrogative
and probably foolish.
I saw she did not feel the interrogation, she only heard the words;
she had strung herself up to accepting our
separation and they
fell upon her ear as a proof. "Are you going today?" she asked.
"But it doesn't matter, for
whenever you go I shall not see you again.
I don't want to." And she smiled
strangely, with an
infinite gentleness.
She had never doubted that I had left her the day before in horror.
How could she, since I had not come back before night to contradict,
even as a simple form, such an idea? And now she had the force of soul--
Miss Tita with force of soul was a new conception--to smile at me
in her humiliation.
"What shall you do--where shall you go?" I asked.
"Oh, I don't know. I have done the great thing.
I have destroyed the papers."
"Destroyed them?" I faltered.
"Yes; what was I to keep them for? I burned them last night,
one by one, in the kitchen."
"One by one?" I
repeated, mechanically.
"It took a long time--there were so many." The room seemed to go round me
as she said this, and a real darkness for a moment descended upon my eyes.
When it passed Miss Tita was there still, but the transfiguration
was over and she had changed back to a plain, dingy,
elderly person.
It was in this
character she spoke as she said, "I can't stay with you longer,
I can't;" and it was in this
character that she turned her back upon me,
as I had turned mine upon her twenty-four hours before, and moved to
the door of her room. Here she did what I had not done when I quitted her--
she paused long enough to give me one look. I have never forgotten it
and I sometimes still suffer from it, though it was not resentful.
No, there was no
resentment, nothing hard or vindictive in poor Miss Tita;
for when, later, I sent her in exchange for the
portrait of Jeffrey Aspern
a larger sum of money than I had hoped to be able to gather for her,
writing to her that I had sold the picture, she kept it with thanks;
she never sent it back. I wrote to her that I had sold the picture,
but I admitted to Mrs. Prest, at the time (I met her in London,
in the autumn), that it hangs above my
writing table. When I look at it
my
chagrin at the loss of the letters becomes almost intolerable.
End