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this time she received me in her aunt's forlorn parlor--I hoped she
would not think my errand was to tell her I accepted her hand.

She certainly would have made the day before the reflection that
I declined it.

As soon as I came into the room I saw that she had drawn this inference,
but I also saw something which had not been in my forecast. Poor Miss

Tita's sense of her failure had produced an extraordinaryalteration in her,
but I had been too full of my literary concupiscence to think of that.

Now I perceived it; I can scarcely tell how it startled me.
She stood in the middle of the room with a face of mildness bent upon me,

and her look of forgiveness, of absolution, made her angelic.
It beautified her; she was younger; she was not a ridiculous old woman.

This optical trick gave her a sort of phantasmagoric brightness,
and while I was still the victim of it I heard a whisper somewhere

in the depths of my conscience: "Why not, after all--why not?"
It seemed to me I was ready to pay the price. Still more distinctly

however than the whisper I heard Miss Tita's own voice. I was so struck
with the different effect she made upon me that at first I was not clearly

aware of what she was saying; then I perceived she had bade me goodbye--
she said something about hoping I should be very happy.

"Goodbye--goodbye?" I repeated with an inflection interrogative
and probably foolish.

I saw she did not feel the interrogation, she only heard the words;
she had strung herself up to accepting our separation and they

fell upon her ear as a proof. "Are you going today?" she asked.
"But it doesn't matter, for whenever you go I shall not see you again.

I don't want to." And she smiled strangely, with an infinite gentleness.
She had never doubted that I had left her the day before in horror.

How could she, since I had not come back before night to contradict,
even as a simple form, such an idea? And now she had the force of soul--

Miss Tita with force of soul was a new conception--to smile at me
in her humiliation.

"What shall you do--where shall you go?" I asked.
"Oh, I don't know. I have done the great thing.

I have destroyed the papers."
"Destroyed them?" I faltered.

"Yes; what was I to keep them for? I burned them last night,
one by one, in the kitchen."

"One by one?" I repeated, mechanically.
"It took a long time--there were so many." The room seemed to go round me

as she said this, and a real darkness for a moment descended upon my eyes.
When it passed Miss Tita was there still, but the transfiguration

was over and she had changed back to a plain, dingy, elderly person.
It was in this character she spoke as she said, "I can't stay with you longer,

I can't;" and it was in this character that she turned her back upon me,
as I had turned mine upon her twenty-four hours before, and moved to

the door of her room. Here she did what I had not done when I quitted her--
she paused long enough to give me one look. I have never forgotten it

and I sometimes still suffer from it, though it was not resentful.
No, there was no resentment, nothing hard or vindictive in poor Miss Tita;

for when, later, I sent her in exchange for the portrait of Jeffrey Aspern
a larger sum of money than I had hoped to be able to gather for her,

writing to her that I had sold the picture, she kept it with thanks;
she never sent it back. I wrote to her that I had sold the picture,

but I admitted to Mrs. Prest, at the time (I met her in London,
in the autumn), that it hangs above my writing table. When I look at it

my chagrin at the loss of the letters becomes almost intolerable.
End


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